An icon of nineteenth-century American fiction, Charles W. Chesnutt, an incisive storyteller of the aftermath of slavery in the South, is widely credited with almost single-handedly inaugurating the African American short story tradition and was the first African American novelist to achieve national critical acclaim. This major addition to Penguin Classics features an ideal sampling of his work: twelve short stories (including conjure tales and protest fiction), three essays, and the novel The Marrow of Tradition. Published here for the 150th anniversary of Chesnutt’s birth, The Portable Charles W. Chesnutt will bring to a new audience the genius of a man whose legacy underlies key trends in modern Black fiction.
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Author
Charles W. Chesnutt
Charles W. Chestnutt (1858–1932) was born in Cleveland, Ohio, where his family had moved from Fayettefille, North Carolina, to seek better economic opportunities. Shortly after the Civil War, they returned to Fayetteville, where Chesnutt spent most of his childhood and young adulthood. He taught in local public schools, eventually returning to Cleveland and being admitted to the bar. He established a legal stenography business yet found himself strongly attracted to writing fiction. He published two collections of short stories, The Conjure Woman and The Wife of His Youth and Other Stories of the Color Line (1890) and three widely reviewed novels, The House Behind the Cedars (1900), The Marrow of Tradition (1901), and The Colonel’s Dream (1905), while devoting essays and speeches to agitation for civil rights for African Americans, especially in the South. Unable to support his family as a full-time writer, he resumed his business career but maintained until his death a respected role in African American letters.
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