Diaries of an Unfinished Revolution

Praise for Diaries of an Unfinished Revolution: Voices from Tunis to Damascus

“There is an undeniable power to the presence of time and movement in these accounts.”
—New York Times Book Review

“With both poetic flourish and eyewitness intensity, the events of the Arab Spring are rendered newly relevant and visceral in this anthology of first-person accounts from Tunisia to Syria. In this haunting collection, editors Cassel, Al-Zubaidi, and Roderick present breathtakingly beautiful writing by young people who witnessed the remarkable events of 2011, and manage to accomplish what the media did not: provide context and meaning to a movement that confounded existing narratives of the Middle East.”
 —Publishers Weekly Starred Review
 
“For readers interested in the personal, firsthand stories of the young men and women who stood and fought in those chaotic city squares throughout the Middle East, the English PEN Award–winning Diaries adds a vastly different, historically vital perspective on the Arab Spring’s revolutions-in-progress…these eye-opening, untold accounts from students and local journalists alike are as essential to the historical record as they are to the outsider looking to understand what the Arab Spring is really about.”
—Booklist Starred Review

“Captures [the Arab Spring’s] courage on page after page…consistently vivid and far more personal than most journalism.”
—The Dallas Morning News

“Intimate vignettes…this adds an emotional, personal layer to the myriad voices.”
—Kirkus Reviews

“The writing is accessible — in addition to being lyrical, melancholy, and spirited.”
—Biographile


“[Diaries of an Unfinished Revolution] is not the revolution itself, but its continuation with literary means. As people in the Arab world recaptured the public sphere, this book opens a literary space, in which the actors and authors of the revolutions can meet and express free of fear. It is a book that nobody can avoid if he wants to understand what is happening in the Arab world.”—Diesseits

“What this anthology makes abundantly clear is that the young people behind these uprisings, though often optimistic, were not blinded by the fervour of revolution but were in fact acutely aware of the obstacles that lay ahead.”
—London School of Economics Review of Books

“If ever there is a book that should be championed, it is [Diaries of an Unfinished Revolution]. . . . Among the most moving, inspiring, and revealing pieces of non-fiction we’ve come across in some time.”
—The National (U.A.E.)
“[Diaries of an Unfinished Revolution] provides a terrifying insight into the world of authoritarian regimes where freedom and democracy are alien concepts. Each of the eight accounts in this impressive anthology is accessible and illuminating.”
—The Independent (U.K.)

“These stories of the Arab Spring are the brave first draft of history, written by its participants even as they were blinded by tear gas, arrested, running from the gunshots. Their voices are honest and compelling, by turns angry, afraid, frustrated, confused, embattled and hopeful.  Amidst all the punditry and wittering commentators, here is the real feel of what it means to stand up for freedom and to risk everything in doing so.” 
—Wendell Steavenson, correspondent for the The New Yorker and author of The Weight of a Mustard Seed

“The ongoing Arab revolts debunked Orientalist myths about the region and disoriented the “experts”. The voices of the generation spearheading these revolts are at times drowned out by the cacophony and confusion of old and new experts issuing pre-mature obituaries. This book gives space to those men and women writing of and for monumental change and demanding attention.”
—Sinan Antoon, author of I’jaam – an Iraqi Rhapsody and co-director About Baghdad

From the editors’ preface

“The dominant voices discussing the uprisings in most English-language media came from an elite group of professional ‘experts,’ often commenting far from the battles taking place in the streets. This book aims to correct that. The contributors to this anthology did not sit on the sidelines while things happened. Each of them played a role in shaping their country’s future and documenting uncomfortable truths long before the wave of mass uprisings began, and they continue to do so, even when events fall out of the headlines. [ . . . ] Our aim, as editors, was to put the narrative of ‘the Arab Spring’ back into the hands of the people without whom there would be no story to tell.”