The Woman in White famously opens with Walter Hartright’s eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his “charming” friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison.
Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
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William Wilkie Collins was born in London in 1824, the eldest son of a successful painter, William Collins. He studied law and was admitted to the bar but never practiced his nominal profession, devoting his time to writing instead. His… More about Wilkie Collins