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Aug 01, 2000 | ISBN 9780441007554 Buy
Feb 04, 2003 | ISBN 9780425190449 Buy *This format is not eligible to earn points towards the Reader Rewards program
Feb 04, 2003 | ISBN 9781101146484 Buy
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Available from:
Aug 01, 2000 | ISBN 9780441007554
Feb 04, 2003 | ISBN 9780425190449
Feb 04, 2003 | ISBN 9781101146484
“The ferociously talented Gibson delivers his signature mélange of technopop splendor and post-industrial squalor” (Time) in this New York Times bestseller that features his hero from Idoru…Colin Laney, sensitive to patterns of information like no one else on earth, currently resides in a cardboard box in Tokyo. His body shakes with fever dreams, but his mind roams free as always, and he knows something is about to happen. Not in Tokyo; he will not see this thing himself. Something is about to happen in San Francisco. The mists make it easy to hide, if hiding is what you want, and even at the best of times reality there seems to shift. A gray man moves elegantly through the mists, leaving bodies in his wake, so that a tide of absences alerts Laney to his presence. A boy named Silencio does not speak, but flies through webs of cyber-information in search of the one object that has seized his imagination. And Rei Toi, the Japanese Idoru, continues her study of all things human. She herself is not human, not quite, but she’s working on it. And in the mists of San Francisco, at this rare moment in history, who is to say what is or is not impossible…
William Gibson is credited with having coined the term “cyberspace” and having envisioned both the Internet and virtual reality before either existed. He is the author of Neuromancer, Count Zero, Mona Lisa Overdrive, Burning Chrome, Virtual Light, Idoru, All Tomorrow’s Parties,… More about William Gibson
“All Tomorrow’s Parties is immensely engaging, alive on every page and as enjoyable a weekend entertainment as one could want.”—The Washington Post Book World “Gibson, one of science fiction’s greatest literary stylists, is at his best [when] he offers visceral detail even when promising transcendent change—a moment in the near future when the fabric of daily life will twist profoundly.”—Wired “Moves at warp speed…[Gibson] is a witty and compelling storyteller.”—Los Angeles Times “[A] hard-edged and grimly beautiful piece of work.”—Chicago Tribune “Gibson has done it again.”—Time Out New York“A creepily plausible near-future of nanotechnology and virtual-reality pop idols, delineated in Gibson’s customary diamond-sharp prose as the plot hurtles toward existential apocalypse.”—Elle“Ultra-cool cyberpunk…this familiar, vigorous, vividly realized scenario is set forth in the author’s unique and astonishingly textured prose.”—Kirkus Reviews“Gibson’s rich protopointillism coins a wireless future where reality is only proxy and proviso. Made all the more beautiful and frightening by its probability, and by characters who somehow tweeze hope from the polymer.”—Chris Carter, creator of The X-Files
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