In Fannie Flagg’s high-spirited first novel, we meet Daisy Fay Harper in the spring of 1952, where she’s “not doing much except sitting around waiting for the sixth grade.” When she leaves Shell Beach, Mississippi, in September 1959, she is packed up and ready for the Miss America Pageant, vowing “I won’t come back until I’m somebody.” But in our hearts she already is.
Sassy and irreverent from the get-go, Daisy Fay takes us on a rollicking journey through her formative years on the Gulf Coast of Mississippi. There, at The End of the Road of the South, the family malt shop freezer holds unspeakable things, society maven Mrs. Dot hosts Junior Debutante meetings and shares inspired thoughts for the week (such as “sincerity is as valuable as radium”), and Daisy Fay’s Daddy hatches a quick-cash scheme that involves resurrecting his daughter from the dead in a carefully orchestrated miracle. Along the way, Daisy Fay does a lot of growing up, emerging as one of the most hilarious, appealing, and prized characters in modern fiction.
Praise for Daisy Fay and the Miracle Man
“Sheer unbeatable entertainment.”—Cosmopolitan
“Unforgettable and irresistible.”—Chattanooga Free Press
“Side-splittingly funny.”—Cleveland Plain Dealer
About Daisy Fay and the Miracle Man
“A hilarious, endearing novel.”—Los Angeles Times
In Fannie Flagg’s high-spirited first novel, we meet Daisy Fay Harper in the spring of 1952, where she’s “not doing much except sitting around waiting for the sixth grade.” When she leaves Shell Beach, Mississippi, in September 1959, she is packed up and ready for the Miss America Pageant, vowing “I won’t come back until I’m somebody.” But in our hearts she already is.
Sassy and irreverent from the get-go, Daisy Fay takes us on a rollicking journey through her formative years on the Gulf Coast of Mississippi. There, at The End of the Road of the South, the family malt shop freezer holds unspeakable things, society maven Mrs. Dot hosts Junior Debutante meetings and shares inspired thoughts for the week (such as “sincerity is as valuable as radium”), and Daisy Fay’s Daddy hatches a quick-cash scheme that involves resurrecting his daughter from the dead in a carefully orchestrated miracle. Along the way, Daisy Fay does a lot of growing up, emerging as one of the most hilarious, appealing, and prized characters in modern fiction.
Praise for Daisy Fay and the Miracle Man
“Sheer unbeatable entertainment.”—Cosmopolitan
“Unforgettable and irresistible.”—Chattanooga Free Press
Fannie Flagg’s career started in the fifth grade when she wrote, directed, and starred in her first play, titled The Whoopee Girls, and she has not stopped since. At age nineteen she began writing and producing television specials, and later… More about Fannie Flagg
About Fannie Flagg
Fannie Flagg’s career started in the fifth grade when she wrote, directed, and starred in her first play, titled The Whoopee Girls, and she has not stopped since. At age nineteen she began writing and producing television specials, and later… More about Fannie Flagg
People Who Read Daisy Fay and the Miracle Man Also Read
Inspired by Your Browsing History
Praise
“A hilarious, endearing novel.”—Los Angeles Times
“Sheer unbeatable entertainment.”—Cosmopolitan
“Unforgettable and irresistible.”—Chattanooga Free Press
“Side-splittingly funny.”—Cleveland Plain Dealer
Author Q&A
A Conversation with Fannie Flagg
Q: Was there a particular person or event that inspired you to write Daisy Fay and the Miracle Man? Is any of it based on your experiences as a girl growing up in the South?
FF: Several things inspired me to write this book. While attending my first writer’s conference, I heard the great Ray Bradbury speak about all the books from his childhood that had inspired him to become a writer. Each and every book he mentioned were either adventure books or coming-of–age books about little boys, all written by men. As I sat there and thought about what I had read as a child, I realized there were very few books about little girls compared to so many books about little boys, it didn’t seem fair. Then it suddenly struck me that maybe I should try and write a book about a little girl! At the same conference we were told to write what you know and so yes, the book is indeed based on my experiences growing up in the South.
Q: How did you prepare yourself to get into the mind-set of a very young child? What challenges did you face making Daisy’s voice age throughout the novel?
FF: I had to go back in my mind and remember what it was like being a child and observing life without having the real story. I was very careful not to let the grown-up writing the story slip in and know or say things that Daisy would have no knowledge of. I was also writing the story on two levels. I was writing the story about what was really happening in the adult world and also writing what Daisy Fay thought was happening, which was not always the same thing.
Q: In both Daisy Fay and the Miracle Man and Standing in the Rainbow, you portray the 1950s. Is there something about that time period that you find particularly evocative?
FF: I suppose having been raised in the Fifties, I am particularly in love with that period and in reality they were pretty wonderful from the standpoint of a child. Not to be cliché, but it was a time of innocence and I suspect there is a part of me that would like to go back when we were not dealing with so many problems, like drugs, crime, and so much anger in the world. I remember never having to lock our doors or worry about our children. As I remember, America seemed like a safe place. Q: Who is your favorite character in this novel?
FF: I think Daisy Fay is my favorite character because she is such an optimist, even when things are terrible in her life. I would like to be more like her.
Q: Did you ever consider ending the book a different way? If so, what would have happened?
FF: No, the book ended the way I think her life would have gone up to that point. She is headed into the world believing she will be somebody someday.
