“American counter-culture classic Really the Blues [is] a stylized oral history that anticipates the Beat novel…Really the Blues is part quixotic adventure novel, part inside-scoop…Mezzrow’s voice is funny, impulsive, full of itself and often spectacularly scatological….Listening to “Mezz” is tremendous fun…the book’s true literary inheritance is its style…one of the great, flawed, jubilant, jive-talking characters of American literature.”
—Martin Riker, The Wall Street Journal
“The mighty Mezz was at once the greatest digger, the greatest chronicler, the greatest celebrator of [jazz] culture, as well as being a principal actor on its main stage and contributor of its most characteristic fragrance—the pungent aroma of burning bush.”
—Albert Goldman, High Times
“Mezz Mezzrow’s rambunctious enthusiasm for jazz and the world it shaped and defined keeps the pages turning…The lost world of the Jazz Age comes alive in these pages, replete with all the Chi-town bounce and streetwise braggadocio that came with the risqué territory…Mezzrow’s love of the music and the ‘bandid’ lifestyle is palpable and infectious, giving his story a novelistic verve. In many ways, Mezz is the Augie March of jazz.”
—Matt Hanson, The Arts Fuse
“As to the books of Bernard Wolfe, his extraordinary imagination, his range of styles and genres, should alone qualify him for a conspicuous role in 20th-century American literature.”
—Thomas Berger
“Really the Blues returns us…to the roots of rock, to the roots certainly of beat and hence to the beginnings of the sixties counterculture through an extended look into the life of a Jewish boy…who turned his back on the middle class and all it had to offer to blow jazz in ‘more creep joints and speakeasies and dancehalls than the law allows.’ ”
—Brooke Horvath, Review of Contemporary Fiction
“An intense, sincere and honest book. It makes all the novels with jazz backgrounds seem as phony as an Eddie Condon concert.”
—Bucklin Moon, The New Republic
“An autobiography such as was never seen before beneath the moon.”
—Ben Ray Redman, The American Mercury
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