Perhaps the greatest short story collection in the English language, James Joyce’s Dubliners is both a vivid and unflinching portrait of “dear dirty Dublin” at the turn of the twentieth century and a moral history of a nation and a people whose “golden age” has passed. His richly drawn characters—at once intensely Irish and utterly universal—may forever haunt the reader. In mesmerizing writing that evokes rich imagery, Joyce delves into the heart of the city of his birth, capturing the cadences of Dubliners’ speech in remarkably realistic portrayals of their inner lives. This magnificent collection of fifteen stories reveals Joyce at his most accessible and perhaps most profound.
With an Introduction by Edna O’Brien
and an Afterword by Malachy McCourt
Author
James Joyce
James Joyce, the twentieth century’s most influential novelist, was born in Dublin on February 2, 1882. The oldest of ten children, he grew up in a family that went from prosperity to penury because of his father’s wastrel behavior. After receiving a rigorous Jesuit education, twenty-year-old Joyce renounced his Catholicism and left Dublin in 1902 to spend most of his life as a writer in exile in Paris, Trieste, Rome, and Zurich. On one trip back to Ireland, he fell in love with the now famous Nora Barnacle on June 16, the day he later chose as “Bloomsday” in his novel Ulysses. Nora was an uneducated Galway girl who became his lifelong companion and the mother of his two children. In debt and drinking heavily, Joyce lived for 36 years on the Continent, supporting himself first by teaching jobs, then through the patronage of Mrs. Harold McCormick (Edith Rockerfeller) and the English feminist and editor Harriet Shaw Weaver. His writings include Chamber Music (1907), Dubliners (1914), A Portrait of the Artist as a Young Man (1916), Exiles (1918), Ulysses (1922), Pomes Penyeach (1927), Finnegan’s Wake (1939), and an early draft of A Portrait of a Young Man, Stephan Hero (1944). Ulysses required seven years to complete, and his masterpiece, Finnegan’s Wake, took seventeen. Both works revolutionized the form, structure, and content of the novel. Joyce died in Zurich in 1941.
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