In The House of Mirth, which helped to establish Edith Wharton’s literary reputation, she honed her acerbic style and discovered her defining subject: the fashionable New York society in which she had been raised and that held the power to debase both people and ideals. In this devastatingly accurate and finely wrought tale, Lily Bart, the poor relation of a wealthy woman, is beautiful, intelligent, and hopelessly addicted to the moneyed world of luxury and grace. But her good taste and moral sensibility render her unfit for survival in a vulgar society whose glittering social edifice is based on a foundation of pure greed. A brilliant portrayal of both human frailty and nobility, and a bitter attack on false social values, The House of Mirth has been hailed by Louis Auchincloss as “uniquely authentic among American novels of manners.”
With an Introduction by Anna Quindlen
and an Afterword by Michael Gorra
Author
Edith Wharton
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she was raised for only one career: marriage. But her marriage, in 1885, to Edward Wharton was an emotional disappointment, if not a disaster. She suffered the first of a series of nervous breakdowns in 1894. In spite of the strain of her marriage, or perhaps because of it, she began to write fiction and published her first story in 1889. Her first published book was a guide to interior decorating, but this was followed by several novels and story collections. They were written while the Whartons lived in Newport and New York, traveled in Europe, and built their grand home, the Mount, in Lenox, Massachusetts. In Europe, she met Henry James, who became her good friend, traveling companion, and the sternest but most careful critic of her fiction. The House of Mirth (1905) was both a resounding critical success and a bestseller, as was Ethan Frome (1911). In 1913 the Whartons were divorced, and Edith took up permanent residence in France. Her subject, however, remained America, especially the moneyed New York of her youth. Her great satiric novel, The Custom of the Country was published in 1913 and The Age of Innocence won her the Pulitzer Prize in 1921. In her later years, she enjoyed the admiration of a new generation of writers, including Sinclair Lewis and F. Scott Fitzgerald. In all, she wrote some 30 books, including an autobiography, A Backward Glance (1934). She died at her villa near Paris in 1937.
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