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Dec 01, 2016 | ISBN 9783791355603 Buy
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Dec 01, 2016 | ISBN 9783791355603
This long-overdue retrospective book on a pioneer of West Coast abstraction considers John McLaughlin’s body of work and his unique influence on the Los Angeles postwar art scene. For decades before his death in 1976, John McLaughlin steadily produced some of the most fascinating paintings coming out of Southern California. Minimal geometric abstractions characterized by clean lines, bold colors, and flat, intersecting forms, McLaughlin’s paintings investigate symmetry and composition, and are largely informed by the Japanese notion of ma—the special emptiness between forms. Generously illustrated with more than 80 images, the book features reproductions of the self-taught artist’s works and celebrates their simple beauty and precision. In addition, insightful essays explore McLaughlin’s relative obscurity in the pantheon of 20th-century American artists, his influence on contemporaries and later artists, and the role of Asian art and philosophy in McLaughlin’s practice.
“Once the canon of great artists is established, altering it is next to impossible. Case in point: the introspective, quietly breathtaking art of John McLaughlin. His geometric abstract paintings are the subject of a gorgeous retrospective exhibition…The exhibition was assembled by LACMA curators Stephanie Barron and Lauren Bergman. It comes with an excellent catalog featuring contributions by them, as well as by curator Ilene Susan Fort, artist Tony Berlant, and critics Michael Duncan and Russell Ferguson.” —Christopher Knight, Los Angeles Times
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