An Untouched House

Praise

One of Ian McEwan’s “most underrated books”

“Two contrasting energies galvanize Hermans’s fictions. The wry invitation to find symbols and deeper meanings is balanced by a wealth of detail and meticulously described action, all rapidly delivered, convincingly concrete, and psychologically persuasive . . . Hermans knows life intimately and that his knowledge is devastating.”
—Tim Parks, New York Review of Books

“What’s most interesting, and what connects this novel with [Hermans’s] others set in wartime—A Guardian Angel Recalls and The Darkroom of Damocles—are questions of identity, authenticity, and duplicity. As these novels chart the ways in which warfare can deform and degrade us, they measure the gap between their characters’ true inner selves and the false identities they assume: the roles they play and the lies they tell. And all three books monitor the terrifying ease with which that gap can narrow.”
—Francine Prose, Harper’s

“Profoundly unsettling . . . haunt[s] the mind for long afterwards.”
—The Sunday Times, A Book of the Year

“Those who do simply open and read will find themselves immersed in a nightmare miniature where philosophical musing gives seamless way to beautiful but unyielding cruelty . . . this newer translation by David Colmer seems to better capture the unsettling horror.”
—Ben Murphy, Full Stop

“Although An Untouched House is brief, it is worth pacing oneself and absorbing its remarkable density. Hermans’ is the architect of a masterful story—concise but expansive in vision…a lucid, exhilarating account.”
—Peyton Harvey, Zyzzyva

“Hermans’s novella is a bleak depiction of the absurdity of war, which knows no winners.”
—Felix Haas, World Literature Today

“A shocking Dutch classic . . . remarkable . . . It takes an hour or two to read, but An Untouched House is the kind of book that stays with you forever.”
—The Guardian

“From the opening pages, the translator David Colmer brilliantly evokes the laconic tone of a narrator who proves intelligent, resourceful and increasingly deranged . . . By any light, this eloquent marvel teases, bewilders and unnerves.”
—Times Literary Supplement

 ”This novella is a fascinating portrait of a solipsistic mind, a scrupulous rendering of the erosion of human empathy that resonates in these uncivil times.”
—Christopher Byrd, Vulture

‘I was struck by the compressed farce and horror in the 1951 Dutch novella An Untouched House.’
—Sam Leith, choosing An Untouched House as a Spectator Book of the Year

“Taut . . . dark, thrillerish.”
—New Statesman

“As disturbing and powerful as anything by Joseph Heller or Kurt Vonnegut.”
—Michel Faber

“Hermans is as alarming as a snake in the bread bin . . . hugely entertaining.”
—The Scotsman