Best Seller
Hardcover
$30.00
Available on Aug 18, 2026 | 528 Pages
A penetrating and moving novel about a crumbling marriage, set against the backdrop of a near-future America in the process of its own disintegration, from the New York Times bestselling author of Fantasyland and Evil Geniuses
Natalie and Asher’s marriage has long been marked by fault lines, quiet rifts in how they see the world and the lives they imagined within it. Now with both children nearly grown, their own ambitions at cross purposes, and a world transformed by AI, it feels like they have less in common than ever. After twenty-three years together, they’re living apart.
As they navigate the terms of their separation, America is doing the same thing. It’s 2045, and the country is in the throes of a complex, years-long process of redrawing borders after an awful 2030s uprising that ended with red states seceding to form their own government, and blue cities breaking off from those states. While Natalie retreats to her childhood home in Tennessee—most of the state now part of the new Free American Republic—Asher stays behind in San Francisco, running the controversial National Institute of the Mind for a quixotic trillionaire and parenting their younger child, Logan. Apart for the first time in decades, Natalie and Asher’s relationship becomes a mirror of America’s own long unraveling—confused, messy, painful, and impossibly intimate.
When Natalie and Asher are forced back into proximity while touring colleges with Logan, they find themselves on a road trip through a strange, uncertain postwar American landscape, while confronting the flux within their own family. And they are faced with the question the nation already reckoned with: Is something broken still worth saving?
Razor-sharp, ambitious, at turns tragic and funny, brimming with imagination and surprises, The Breakup is a sweeping story where the personal and sociopolitical intersect in ways bracingly prescient and keenly insightful. And in the end, surprisingly hopeful.
Natalie and Asher’s marriage has long been marked by fault lines, quiet rifts in how they see the world and the lives they imagined within it. Now with both children nearly grown, their own ambitions at cross purposes, and a world transformed by AI, it feels like they have less in common than ever. After twenty-three years together, they’re living apart.
As they navigate the terms of their separation, America is doing the same thing. It’s 2045, and the country is in the throes of a complex, years-long process of redrawing borders after an awful 2030s uprising that ended with red states seceding to form their own government, and blue cities breaking off from those states. While Natalie retreats to her childhood home in Tennessee—most of the state now part of the new Free American Republic—Asher stays behind in San Francisco, running the controversial National Institute of the Mind for a quixotic trillionaire and parenting their younger child, Logan. Apart for the first time in decades, Natalie and Asher’s relationship becomes a mirror of America’s own long unraveling—confused, messy, painful, and impossibly intimate.
When Natalie and Asher are forced back into proximity while touring colleges with Logan, they find themselves on a road trip through a strange, uncertain postwar American landscape, while confronting the flux within their own family. And they are faced with the question the nation already reckoned with: Is something broken still worth saving?
Razor-sharp, ambitious, at turns tragic and funny, brimming with imagination and surprises, The Breakup is a sweeping story where the personal and sociopolitical intersect in ways bracingly prescient and keenly insightful. And in the end, surprisingly hopeful.
Author
Kurt Andersen
Kurt Andersen is the bestselling author of Evil Geniuses, Fantasyland and the novels True Believers, Heyday and Turn of the Century, among other books. He contributes to The New York Times and was host and co-creator of Studio 360, the Peabody Award–winning public radio show and podcast. He also writes for television, film, and the stage. Andersen co-founded Spy magazine, served as editor in chief of New York, and was a cultural columnist and design critic for Time, New York and The New Yorker. He graduated from Harvard College and lives in Brooklyn.
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