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Owed

Best Seller
Owed by Joshua Bennett
Paperback $20.00
Sep 01, 2020 | ISBN 9780143133858

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  • Sep 01, 2020 | ISBN 9780143133858

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  • Sep 01, 2020 | ISBN 9780525505655

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Praise

Praise for Owed

“Themes of praise and debt pervade this rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S. . . . Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic, and boldly stakes claim to ‘some living, future / English, & everyone in it / is immortal.’” The New Yorker

“Bennett captures the beauty of what really matters in life—the memories, youth sports, family traditions and little moments that many of us take for granted . . . [Owed] couldn’t have been more timely.” Salon

“Not only are these poems eloquent but also lyrical, intelligent, and, occasionally, funny. Most reflect upon and communicate the pain, joy, and intensity of the current Black experience . . . In a time when many confront and protest the racism prevalent in our society, Bennett’s new book is vital.”Library Journal (starred review) 

“[Owed] intertwines the author’s multifaceted professions as poet, performer, and professor through powerful, crisp poems that celebrate the complexity, joy, and heartbreak of the Black experience in America . . . Bennett’s poems are more necessary than ever.” Publishers Weekly (starred review)

“We’re lucky to have Joshua Bennett’s Owed at this hour in America. The resonances of ‘ode’ and ‘owed’ underscore his tremendous acts of invention amid ‘an ever-expanding grand Black Epilogue.’ Lyrical and political fibers are woven through narratives as clear and idiosyncratic as the plastic on your grandmother’s couch. Owed fights for the ‘ground where the children can play & come home whole.’ Bennett swings with song and exaltation; he swings with resistance and defense. I’m glad to have his amazing collection right now. I will be glad to have it tomorrow.” —Terrance Hayes, author of American Sonnets for My Past and Future Assassin

Owed is an indictment of the state even as it is an ode to the ongoingness of Black imagination. Here, a single moment shimmers with a million resonances of attention. So the world is loved this much. And what has been taken has been taken this much. Bennett insists on repair even as he mourns what is utterly irreparable. This book is part of a breathful, bodied fight for Black life. I am emboldened and sharpened by Bennett’s genius and by his love made plain across each of these shimmering pages.” —Aracelis Girmay, author of The Black Maria 

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