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Bodily Harm by Margaret Atwood
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Bodily Harm

By Margaret Atwood

By Margaret Atwood

Best Seller
Paperback $15.95

Apr 13, 1998 | ISBN 9780385491075

Bodily Harm by Margaret Atwood
Paperback $15.95
Apr 13, 1998 | ISBN 9780385491075

Buy from Other Retailers:

Paperback
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  • Paperback $15.95

    Apr 13, 1998 | ISBN 9780385491075

    Buy from Other Retailers:

Buy the Paperback:

About Bodily Harm

From the bestselling author of The Handmaid’s Tale and The Testaments • By turns satiric, thrilling, and terrifying, Bodily Harm charts the dark currents of the lust for power—both sexual and political—as it builds to a devastating climax.

Rennie Wilford is a journalist who writes about the latest trends and considers herself an expert on the superficial surfaces of life.

When her own life takes a dark turn, she seeks to recuperate by flying to the Caribbean to research a fluffy travel piece. But her carelessly chosen destination, the tiny island of St. Antoine, is on the verge of a violent revolution and Rennie soon finds herself ensnared in a world of corruption and treachery and unsure whom to trust.

Reading Guide

Also by Margaret Atwood

Old Babes in the Wood
Burning Questions
The Handmaid's Tale and The Testaments Box Set
The Testaments
The Handmaid's Tale (Graphic Novel)
See all books by Margaret Atwood

About Margaret Atwood

Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat’s Eye, The Robber Bride, Alias Grace, The Blind Assassin, and the MaddAddam trilogy. Her 1985 classic, The Handmaid’s Tale, was… More about Margaret Atwood

Product Details

Category: Literary Fiction

Paperback | $15.95
Published by Anchor
Apr 13, 1998 | 304 Pages | 5-3/16 x 8 | ISBN 9780385491075
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Praise

“Succeeds in mingling a considerable amount of humor . . . with the malevolent shadows of politics and history.” —The Boston Globe

“Superior writing, terrifying suspense.” —The Atlantic Monthly

“It knocked me out. Margaret Atwood seems to be able to do just about everything: people, places, problems, a perfect ear, an exactly right voice—and she tosses off terrific scenes with a casualness that leaves you utterly unprepared for the way these scenes seize you.” —Anatole Broyard, The New York Times
 

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