A Publishers Weekly Editors’ Pick
One of Kirkus’s Best Fiction Books of the Year
One of People’s Best New Books
One of the Boston Globe’s Best New Books for Fall
One of Lit Hub’s Most Anticipated Books of 2025
“Painterly and provocative, slipping beyond the frame of reality, as if Magritte or Dalí had propped their easels amid the Sonoran desert. . . . Williams’s serious business is to plumb the volatile interior lives of her characters. . . . The prose is beautifully lean. . . . She flavors her pieces with piercing observations, a pinch of irony, and her signature moxie. She’s still got it, still mulling the riddles we pose to each other, and to ourselves.” —Hamilton Cain, Boston Globe
“Peculiar and tantalizingly ambiguous. . . . Williams’s stories seem to have passed beyond the dramatic arcs and emotional payoffs customary to short fiction. They are beyond pretending that the world makes sense. They are even beyond caring about the familiar concerns of the living—yet they are about life, anyhow, as it persists in this beyondness.” —Sam Sacks, Wall Street Journal
“[A] knockout new collection. . . . Her best book since The Quick and the Dead.” —Jake Cline, The Washington Post
“Haunting, inventive tales. . . . Rife with dry wit, dark humor and a touch of the sinister.” —Louisa Ermelino, People
“Williams is one of our most accomplished adepts in the art of estrangement—in literally making the mundane strange. The short stories in her latest collection are spiny little nuggets of jamais vu. . . . In Williams’s hands, reality is a changeling with an occasionally wicked sense of humor.” —Colin Dwyer, NPR
“The singular, disconcerting uneasiness that is so characteristic of Joy Williams’s fiction, yet so hard to pin down, is once again dazzlingly on display in her latest collection. . . . A detail from her prose can stop you in your tracks. . . . And sometimes you have to pause simply to ponder the insightful beauty of what is being observed.” —Cory Oldweiler, Minnesota Star Tribune
“Grande dame of ‘writers’ writers,’ among the greatest living practitioners of the short story. . . . Williams is a witty writer, dry and precise in her language. . . . The stories in The Pelican Child have the clean, clear surfaces that have led some critics to identify Williams as a minimalist, but the density and explosive weirdness that make her something else. . . . Strange and striking and wonderful.” —Mariah Kreutter, Kismet
“In a dozen intricate, unnerving, caustically funny, and haunting tales, [Williams’s] lonely, displaced, and bewildered characters struggle with painful quandaries in a desiccated world. . . . These grim tales are so ravishingly well-made, so astutely imagined, they evoke as much awe as despair.” —Donna Seaman, Booklist
“Welcome to the Cult of Joy and Williams’s new collection, The Pelican Child. . . . These are some of the finest short stories in the last century of American literature, all heartbreaking and beautiful and elusive and true.” —Mike Jeffrey, On the Seawall
“An American master is back with crystalline stories that map the personal and political minefields of her unmoored characters. Williams blends everyday dramas with surreal imagery, her voice and range inspiring awe.” —Boston Globe, “Best New Books for Fall”
“Enigmatic, elegant stories by a writer at the pinnacle of her art. Williams has long worked magic with stories that, on the surface, seem quite quotidian, save that something unspoken—and occasionally sinister—lies beneath. . . . Superb, and yet more evidence that Williams should be next in line for the Nobel Prize in Literature.” —Kirkus Reviews (starred review)
“The protagonists of these gorgeous stories from Williams grapple with mortality and their hold on reality. . . . Throughout, Williams grabs the reader’s attention with striking dialogue and arresting conceits. This collection is a gift from a master of the form.” —Publishers Weekly (starred review)
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