Best Seller
Paperback
$19.00
Published on Aug 13, 2013 | 464 Pages
A new translation by Adam Thorpe
Gustave Flaubert once said of his heroine, “Emma Bovary, c’est moi.” In this acclaimed new translation, Adam Thorpe brings readers closer than ever before to Flaubert’s peerless text and, by extension, the author himself.
Emma, a passionate dreamer raised in the French countryside, is ready for her life to take off when she marries the decent, dull Dr. Charles Bovary. Marriage, however, fails to live up to her expectations, which are fueled by sentimental novels, and she turns disastrously to love affairs. The story of Emma’s adultery scandalized France when Madame Bovary was first published. Today, the heartbreaking story of Emma’s financial ruin remains just as compelling. Translator Adam Thorpe, an accomplished author in his own right, pays careful attention to the “complex music” of Flaubert’s language, with its elegant, finely wrought sentences and closely observed detail. This exquisite Modern Library edition is sure to set a new standard for an enduring classic.
Praise for Adam Thorpe’s translation of Madame Bovary
“What leaves me reeling with each rereading (and Adam Thorpe’s new translation is, pardon the pun, to die for) is the use of language. There can be no doubt as to the reason for Flaubert’s brain popping at the top of the stairs when he was fifty-eight. He broke it scouring for perfect sentences, words, le mot juste.”—Russell Kane, The Independent
“Flaubert described his great work as a poem, so it is fitting that a poet and novelist of Thorpe’s stature should turn his hand to it.”—Robin Robertson, The Herald (Scotland)
Gustave Flaubert once said of his heroine, “Emma Bovary, c’est moi.” In this acclaimed new translation, Adam Thorpe brings readers closer than ever before to Flaubert’s peerless text and, by extension, the author himself.
Emma, a passionate dreamer raised in the French countryside, is ready for her life to take off when she marries the decent, dull Dr. Charles Bovary. Marriage, however, fails to live up to her expectations, which are fueled by sentimental novels, and she turns disastrously to love affairs. The story of Emma’s adultery scandalized France when Madame Bovary was first published. Today, the heartbreaking story of Emma’s financial ruin remains just as compelling. Translator Adam Thorpe, an accomplished author in his own right, pays careful attention to the “complex music” of Flaubert’s language, with its elegant, finely wrought sentences and closely observed detail. This exquisite Modern Library edition is sure to set a new standard for an enduring classic.
Praise for Adam Thorpe’s translation of Madame Bovary
“What leaves me reeling with each rereading (and Adam Thorpe’s new translation is, pardon the pun, to die for) is the use of language. There can be no doubt as to the reason for Flaubert’s brain popping at the top of the stairs when he was fifty-eight. He broke it scouring for perfect sentences, words, le mot juste.”—Russell Kane, The Independent
“Flaubert described his great work as a poem, so it is fitting that a poet and novelist of Thorpe’s stature should turn his hand to it.”—Robin Robertson, The Herald (Scotland)
Author
Gustave Flaubert
Gustave Flaubert grew up in Rouen, France, and did not leave his birth city until he was 19 when he went to study law in Paris. After three years, however, Flaubert abandoned law and began writing. His first finished work was November, a novella. In September 1849, Flaubert completed the first version of a novel, The Temptation of Saint Anthony. His exploration of themes of spiritual torment was just the beginning of Flaubert’s controversial subject choices. His frank and realistic display of the sex, adultery, and other goings-on in bourgeois France in Madame Bovary saw him go on trial for immorality, charges he only narrowly escaped. He died in 1880.
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