Sense and Sensibility

About Sense and Sensibility

In its marvelously perceptive portrayal of two young women in love, Sense and Sensibility is the answer to those critics and readers who believe that Jane Austen’s novels, despite their perfection of form and tone, lack strong feeling.

Its two heroines—so utterly unlike each other–both undergo the most violent passions when they are separated from the men they love. What differentiates them, and gives this extroardinary book its complexity and brilliance, is the way each expresses her suffering: Marianne–young, impetuous, ardent–falls into paroxysms of grief when she is rejected by the dashing John Willoughby; while her sister, Elinor—wiser, more sensible, more self-controlled—masks her despair when it appears that Edward Ferrars is to marry the mean-spirited and cunning Lucy Steele. All, of course, ends happily—but not until Elinor’s “sense” and Marianne’s “sensibility” have equally worked to reveal the profound emotional life that runs beneath the surface of Austen’s immaculate and irresistible art.

About Sense and Sensibility

In 1811, Jane Austen’s first published work, Sense and Sensibility, marked the debut of England’s premier novelist of manners. Believing that “3 or 4 families in a country village is the very thing to work on,” she created a brilliant tragicomedy of flirtation and folly. Romantic walks through lush Devonshire and genteel dinner parties at a stately manor draw two pretty sisters into the schemes and manipulations of landed gentry determined to marry wisely and well. Neither sense nor sensibility can guarantee happiness for either—as romantic Marianne falls prey to a dangerous rascal, and reasonable Elinor loses her heart to a gentleman already engaged. Wonderfully entertaining yet subtle and probing in its characterizations, Sense and Sensibility richly displays the supreme artistry of a great English novelist.

About Sense and Sensibility

In its marvelously perceptive portrayal of two young women in love, Sense and Sensibility is the answer to those who believe that Jane Austen’s novels, despite their perfection of form and tone, lack strong feeling.

Its two heroines, Marianne and Elinor—so utterly unlike each other–both undergo the most violent passions when they are separated from the men they love. What differentiates them, and gives this extraordinary book its complexity and brilliance, is the way each expresses her suffering: Marianne–young, impetuous, ardent–falls into paroxysms of grief when she is rejected by the dashing John Willoughby; while her sister, Elinor—wiser, more sensible, more self-controlled—masks her despair when it appears that Edward Ferrars is to marry the mean-spirited and cunning Lucy Steele. All, of course, ends happily—but not until Elinor’s “sense” and Marianne’s “sensibility” have equally worked to reveal the profound emotional life that runs beneath the surface of Austen’s immaculate and irresistible art.

(Book Jacket Status: Jacketed)

About Sense and Sensibility

Published in 1811, Sense and Sensibility has delighted generations of readers with its masterfully crafted portrait of two sisters, Elinor and Marianne Dashwood. Forced to leave their home after their father’s death, Elinor and Marianne must rely on making good marriages as their means of support. But unscrupulous cads, meddlesome matriarchs, and various guileless and artful women impinge on their chances for love and happiness. The novelist Elizabeth Bowen wrote, "The technique of [Jane Austen’s novels] is beyond praise….Her mastery of the art she chose, or that chose her, is complete."

About Sense and Sensibility

Sense and Sensibility is one of the best loved of Jane Austen’s novels, populated by great comic creations like Mrs. Jennings, the unscrupulous cad Willoughby, and guileless and artful women. As ever, Austen suffuses her work with great ironic observation and tremendous wit, producing a masterpiece of romantic entanglement that time and a very different set of mores cannot diminish.

Sense and Sensibility was the first of Jane Austen’s novels to be published, coming out in 1811. It had a long gestation, beginning as Elinor and Marianne, an epistolary novel that Austen wrote in the 1790s. The novel centers on the sisters Elinor and Marianne Dashwood, who are forced to leave their home with their mother and younger sister, Margaret, and move in reduced circumstances to the West of England. Elinor, the sensible sister, and Marianne, the overimaginative romantic, must rely on a good marriage as a means of support. As their excellent schemes are intruded upon, Austen subtly explores the marriage game of her times, as both sense and sensibility affect the sisters’ chances of happiness and comfort.