Finalist, Novel of the Year, The Irish Book Awards
Finalist, The Kerry Group Irish Novel of the Year
A September 2014 Indie Next Pick
“The writing in this novel is simply amazing . . . [it] will at times make readers cry and at others, laugh in delighted recognition.”
—Library Journal (Starred Review)
“Written before Ryan’s award-winning debut, The Spinning Heart, this novel is set in the same town a decade earlier, capturing the spirit and vernacular of its place and time and taking readers into the mind of a man struggling to get along in a world he can’t quite comprehend. Stunning.”
—Booklist (Starred Review)
“A concise, radiant, measured and integral work. . . . This is one of those beautiful, serious, fully living novels that make you laugh out loud. . . . The reader devours the book, marvelling at the precision of the sentences and the forensic notice the author seems to have given to the particular English of his district. It is not so much a dialect as a language stolen out of the mouths of others and bullied and half-loved into a new condition. . . .Donal Ryan is a magus of a writer. . . . This is a novel to replenish the reader’s heart and spruce the reader’s soul, although it also makes one doubt we possess such signal things. It’s a force of nature, high artifice and the product of a life-enhancing talent.”
—Sebastian Barry in The Guardian
“An exquisite tale of a man-child’s struggle to make sense of a greedy world . . . Every so often, a writer comes along who cheers Ireland up, not because the books are cheerful—on the contrary, indeed—but because the writing enlarges a particular sense we have of ourselves. Claire Keegan is one such writer, John McGahern is perhaps the best known, and Donal Ryan is the latest addition to this distinguished line.”
—Booker Prize-winning author Anne Enright, Guardian
“Cunningly written, the novel gives us a glimpse into the underside of modern Irish life.”
—Kirkus
“Ireland’s phenomenal Celtic Tiger economy of recent years brought meteoric changes to the country, and Donal Ryan’s penetrating novel delivers the resulting cultural stress in full. A frightening micro view of the macroeconomic situation. . . Exquisitely-crafted tension. . . Donal Ryan’s splendid, poignant prose testifies to the chaotic misinformation and the shady deals that proliferate during economic upheavals — both good and bad.”
—Mary McWay Seaman, Celtic Connection
“Donal Ryan’s first novel, The Spinning Heart, was longlisted for the Man Booker Prize and won the 2012 Book of the Year at the Irish Book Awards. Not a bad start to a literary career, the only downside being that he inadvertently set himself a tough challenge to live up to with that tricky second novel. That he has done so, and with aplomb, is testament to this brightest of new writing talents.”
—The Independent
“Donal Ryan’s promising debut novel (The Spinning Heart) is surpassed by a tale (The Thing About December) that is destined to be pored over by judging panels for book prizes . . . Only 205 pages in length, it’s the kind of meaty read that should be sold with a knife and fork. . . powerful and satisfying.”
—The (London) Sunday Times
“Even stronger and more harrowing than his debut. . . . Ryan is the natural successor to the late John McGahern. . . . Ryan holds you to the page by the sheer force of his language. . . . Ryan has an impressive ear for human conversation. . . . If you’re interested in the state of Irish fiction now, pick up a copy of this book.”
—Nadine O’Regan, The Sunday Business Post
“The Thing About December is a perfect companion piece to The Spinning Heart . . . What’s fascinating about Ryan’s writing is the way it fits within a tradition of Irish literature while marking its own territory. In his descriptions of the conflicts between stunted young men and their domineering parents he recalls the great John McGahern; the unbalanced and troubling relationships between men and women offer shades of Anne Enright; Kevin Barry would feel proud of the often eccentric dialogue. But he is indisputably carving his own terrain with these short, fierce books that strike at the heart of what it has meant to be Irish in recent times . . . Ryan’s work has set a benchmark to which other writers will aspire.”
—John Boyne, The Irish Times
“Ryan proves himself capable of eliciting not just humour and sadness from this voice but also a genuine and underplayed poetry. . . . Ryan continues to establish himself as an important voice in recording contemporary Ireland.”
—The Telegraph (UK)
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