About Ernest Hemingway: The Sun Also Rises & Other Writings 1918-1926 (LOA #334)
Library of America launches its long-awaited Hemingway edition with a landmark collection of writings from his breakthrough years, in newly edited, authoritative texts.
With a letter of introduction from Sherwood Anderson, Ernest Hemingway and his first wife, Hadley, travelled to Paris in 1921. There, the young Hemingway came into contact with Gertrude Stein, F. Scott Fitzgerald, Pablo Picasso, James Joyce, and other expatriate writers and artists integral to his rapid development as a writer. This volume brings together work from the extraordinary period of 1918 to 1926, in which Hemingway’s famous prose style became fully formed. It includes his work for the Toronto Star and Hearst’s International News Service (including many pieces for the latter never before reprinted), the indelible stories of In Our Time (1925), The Torrents of Spring (1925), and his masterpiece, The Sun Also Rises (1926).
Edited by Hemingway scholar Robert W. Trogdon, this volume presents newly edited, corrected texts of In Our Time, The Torrents of Spring and The Sun Also Rises, fixing errors and restoring Hemingway’s original punctuation. It presents the 1924 edition of in our time issued by Three Mountains Press as a modernist masterpiece in its own right, apart from the subsequent versions of In Our Time published by Boni & Liveright and Scribners. It includes the story “Up in Michigan,” one of only a few stories dating from the period before 1923 that was not lost in Hemingway’s suitcase in the Gare de Lyon and that was originally intended as the opening story of In Our Time, and the hard-to-find, previously uncollected story “A Divine Gesture” as well as a selection of letters that offer insights into this period of Hemingway’s life and career. Also here are a selection of Hemingway’s letters from the period, which cast light on his extraordinary emergence as an artist. Taken together, the writings in this volume offer an unparalleled look at Hemingway’s breakthrough years and an internationalist modernist moment that placed him at the center of an extraordinary group of expatriate writers and artists in Paris.