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The Black Romantic Revolution by Matt Sandler

The Black Romantic Revolution

Best Seller
The Black Romantic Revolution by Matt Sandler
Paperback $26.95
Sep 08, 2020 | ISBN 9781788735445

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  • Sep 08, 2020 | ISBN 9781788735445

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“Written with deep and layered seriousness, and a healthy willingness to provoke and play, this impressive study reads Black poetry as profoundly political and as exceeding politics. Subtly theorized, especially via Black feminist theory, and attentive to changing imperatives of political coalition building, it nevertheless keeps the poets and the poetry front and center. The old surrealist insistence that poetry can be an emancipatory and creative activity emerges here not as an injunction but as one central aspect of lived history.”
—David Roediger, author of How Race Survived US History

“With uncommon verve, Matt Sandler correlates Romantic poetic idioms from the natural world regarding whirlwinds and the coming storm to those about revolution and the impending crisis from the political world. The Black Romantic Revolution has as a latent question what happens to our understanding of the long nineteenth-century when re-read through the optics of African American literary studies, historical poetics, and Romanticism. Sandler not only illustrates how African American poets extended the temporal and thematic scope of Romanticism but also how black American poets came to fulfill its political yearnings and aesthetic apotheosis. In so doing, Sandler offers a trenchant critique of, and necessary corrective to, the disciplinary formations that have heretofore failed to put into clearer view the shared horizons between ‘African American’ and ‘Romanticism.’”
—Ivy G. Wilson, author of Specters of Democracy: Blackness and the Aesthetics of Nationalism

The Black Romantic Revolution is well written, characterized by smoothly flowing prose that offers both clarity and nuance. Matt Sandler’s meticulous attention to literary form and to cultural context produces a study full of surprises supported by concrete evidence. Above all, The Black Romantic Revolution takes its insights from the authors it examines. Quite deliberately, Sandler refuses to look at nineteenth-century African American poets through the lens of European Romanticism, allowing its ideals to ground arguments about Black writers’ validity. Instead, he studies their choices so faithfully that he shows readers how early Black poets developed a Romanticism of their own. Sandler’s readers will come to appreciate authors like Frances E. W. Harper and George Moses Horton—as well as the turbulent decades and complex cultural landscape to which they contributed—in truly unexpected ways.”
—Koritha Mitchell, author of From Slave Cabins to the White House and editor of Frances E. W. Harper’s Iola Leroy

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