Low Country

An Electric Literature Most Anticipated Debut of the Year
A Write or Die Tribe Most Anticipated Book of the Year
A Rumpus Most Anticipated Book of Next Year

“The daughter of a country music star explores her roots and even the topography of her native land in this coming-of-age story of a past she’s not always proud of.” —Zibby Owens, Good Morning America

“Like listening to a country music song written by Dostoyevsky (lots of crime, but the wrong folks getting punished), with Tom Robbins as his side man. And a little Tennessee Williams thrown in . . . Many a passage of this familial strife and personal coming-of-age chronicle fairly hums on the page, amplified by sharp observation, razor-edge emotion and a delicious turn of phrase . . . A triumph of style as of substance.” —Bill Thompson, The Post and Courier

“J. Nicole Jones’ devastating memoir examines the realities of living in a picture-perfect, privileged family where nothing is as it seems to the public eye.” —K.W. Colyard, Bustle

“With the prose of a poet, Jones paints a vivid picture of an unorthodox life in an unconventional place.” —Suzanne Van Atten, The Atlanta Journal-Constitution, A Most Anticipated Southern Book of the Year

“In a year where there have been countless standout memoirs, this one lingers due to how Jones presents her life . . . Low Country feels raw. In a good way. As beautiful as it is, it feels as if nothing was covered up with language. It’s all there, the beautiful and the ugly.” —Adam Vitcavage, Debutiful

“Richly detailed and atmospheric . . . Animated by equal measures of rigorous self-awareness and ample respect for mystery, Low Country becomes an engrossing, harrowing read.” —Emily Choate, Chapter 16

“With her memoir, Low Country, Jones has succeeded in the role of family archivist, imploring us to see that the story of the Jones family is the story of South Carolina, and the story of J. Nicole Jones is the story of the women who preceded her. Low Country teaches the ways family is born out of place, and the ways we are born out of each other.” —Ray Levy Uyeda, Zyzzyva

“A storyteller from a long line of Southern storytellers, Jones forgoes tidy narratives and traditional story arcs. Her childhood was way too chaotic for that . . . With childlike wonder, Jones pulls back the Spanish moss to reveal the swampy muck of her youth and blends it with tall tales, weather reports, history lessons, and family lore in captivating, lyrical prose that carries the reader along like a slow river water park ride on a lazy, sunny day.” —Suzanne Van Atten, Los Angeles Review of Books

“Jones’ attention to language is what makes this memoir a stunning read . . . At times amusing and other times heartbreaking, her care with language shines through in every page . . . Jones provides a brilliant look into the cracks of a family, channeling the folktales and sayings from her ancestors, and bringing them to the page.” —Anita Gill, Chicago Review of Books

“Gorgeous, ambling passages that veer from the beach to the bar, from crumbling edifices of lost wealth to secret rooms filled with dolls . . . A tangled memoir told as a tall tale and as true as lived experience . . . It is impossible not to lose yourself in the story of a young, whip-smart girl, who is trying to make sense of this world of men, a world where the best thing women can hope for is to return and haunt the territory.” —Hilary Leichter, Literary Hub

“Ghosts and legends swirl in an affecting family memoir . . . A captivating debut . . . [Jones’] confidential asides to readers create a genuine sense of intimacy. Lyrical prose graces a deftly crafted narrative.” —Kirkus Reviews (starred review) 

“Tinged with folklore and history . . . Jones’ style feels steeped in storytelling and oral tradition . . . Poetic and intimate.” —Booklist

“Lyrical . . . Jones crafts a gothic setting for a literary memoir, while maintaining an invitingly informal narrative voice . . . A haunting memoir with poetic prose that will appeal to a large audience, owing to its interesting subject and skillful writing.” —Library Journal

“A Southern song of love and loss rendered in language both gossamer and precise, Low Country is what happens when one family’s dreams, gossip and ghost stories meet the only writer capable of weaving them together. Harrowing, beautiful and bold, the music of this memoir lingers long beyond the last page.” —Allie Rowbottom, author of JELL-O Girls