We Were Flying to Chicago

“Kevin Clouther’s collection of short stories is further evidence that some of the most interesting literary fiction is coming out of small presses like Black Balloon Publishing.”—BookRiot, Included in “The Great 2014 Short Fiction Round–Up” by David Abrams

“Clouther’s first collection of stories shows an ‘old’ talent—meaning, his sophistication in treatment and technique and his wise observations of the human condition have the feel of an author who has the experience of several story collections behind him.”—Booklist, starred

“Sharply observed.”—Toronto Star

“Kevin Clouther’s collection of short stories is further evidence that some of the most interesting literary fiction is coming out of small presses like Black Balloon Publishing. . .I can confidently report that this is writing that’s unmistakably alive and feral.. . .Dare I say that I hear Raymond Carver and Ernest Hemingway echoing in my head?”—David Abrams, The Quivering Pen

“The 10 entries in Clouther’s debut collection all display a sure–handed grasp of craft. The first and last stories are the best. In the former, the title story, deft and subtle shifts of perspective among a group of young women lead to a well–earned concluding insight. Better still is the emotionally complex final selection, “Puritan Hotel, Barnstable,” about two brothers, Michael and Connor, dealing with Connor’s cancer treatment.”—Publishers Weekly

“Kevin Clouther’s collection of wry, funny, big–hearted stories is utterly satisfying and unexpected, like scratching an itch you didn’t know you had.”—Rebecca Johns

“Kevin Clouther’s remarkable collection illustrates, page by page, the unique joys of reading short fiction. By turns subversive and poignant, darkly humorous and deeply moving, these ten stories show us the author’s expansive range and the heart that drives his imagination. Clouther’s beautifully rendered characters will stay with you long after you’ve finished the book—you’ll see them on the street, in the office, in your mirror. “—Bret Anthony Johnston

“[These] stories develop an intimate voice and the reader can feel characters’ hopes and despair. The title story is a particular standout. A group of airplane passengers are stuck on a layover; the story is told from their collective perspective (“For no good reason, we were flying to Chicago,” it begins). The first–person plural point of view is inviting and fresh.”—Kirkus