“In these harrowing and beautiful pages, Brooks uses an intricately drawn cast of characters, including a seductive refugee named Ana Beidler, to depict the ambiguities of taking as well as delaying action. By the time we reach the transcendent closing pages of The Houseguest, we realize that a certain consolation may be possible for the living, but it’s never quite enough to compensate for the numberless dead.” —Elizabeth Rosner, National Books Critics Circle committee
“[An] ambitious, wildly successful novel . . . Manifesting masterful control of her characters and plot, Brooks delivers a titular protagonist who more than carries her weight . . . Bravely choosing one of history’s most horrifying milieus as her blackboard, Brooks brings to vivid life the lesson that for better and for worse, people change the world, and the world changes people, and the best we can hope for is that some of the time, those changes are for the betterment of us all.” —Chicago Tribune
“Kim Brooks’s debut novel has many of the ingredients needed for a memorable work: an evocative sense of place and time; finely drawn characters; taut, limpid prose . . . In Ana Beidler, Brooks has created a striking character.” —The New York Times Book Review
“Heartbreaking, profound, and brimming with rich historical detail, it’s a different kind of Holocaust story, set on American soil in 1941: a time when minding one’s own business was the norm, when turning a blind eye allowed genocide to occur right under our collective noses . . . Throughout the book, Brooks writes beautiful descriptions that are both stunning and laden with meaning—too many to possibly share here. Yet her prose, as gorgeous as it can be, is never purely aesthetic, because her illustrations of these lives and these cities on the eve of World War II are the heart of her story.”—The Chicago Review of Books
“Kim Brooks weaves a complex story that spans countries, states, and venues . . . This intricately told novel depicting the minutiae of domestic life and relationships, loss and grief, delves into the dark psychology of the characters and their layered and loaded interactions . . . The ending of the novel will reward readers with a twist that ties up loose ends but also presents more questions about these characters facing tough situations. Descriptive moments of levity depicting pre–World War II Jewish life in Europe and the Yiddish theater provide a window into a vibrant world and add another layer to this story that keeps the reader guessing until the end.” —Jewish Book Council
“Every image, metaphor, and character is carefully crafted to build a portrait of a vibrant culture and to illustrate that the ultimate inhumanity is ignoring people; the highest good is caring. With the emotional depth and lyricism of Jonathan Safran Foer’s Everything Is Illuminated, and the flawed personalities and lavish imagery of Dara Horn’s The World to Come, this witty, moving, and literary paean to a people bursts with the depth and magic of a Chagall painting.” —Booklist (starred review)
“This sophisticated first novel considers the response by Americans Jews to the ever more insistent evidence of racial conflagration across the Atlantic . . . Mature in tone and unhurried in pace, Brooks’ novel is at its best in its portraits of unhappy men confronted by cataclysmic events in the world and unexpressed longings at home.” —Kirkus Reviews
“How odd that a novel set in 1941 should be one of the timeliest and most urgent books of 2016. Filled with intrigue and desperation and beauty, The Houseguest isn’t just about refugees, but about refuge itself, in all its forms. A bold and gorgeous debut.”—Rebecca Makkai, author of The Great Believers
“The Houseguest explores important questions—what is your responsibility to another person? If you could save another from terrible harm, what would you do? Kim Brooks answers through her cast of beautifully drawn, deeply human characters and a story that does not let you go. This is a masterful novel; Kim Brooks is a fantastic writer and this is a necessary and important book.” —Karen E. Bender, author of Refund, a finalist for the National Book Award
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