Una vez más, el autor nos hace disfrutar de la historia de México conociendo sus entresijos carnales y sus pasiones.
«Una prueba para demostrar que no me dejé impresionar por los comentarios adversos ni me importó que me llamaran irreverente, entre otros calificativos, por haberme atrevido a bajar de sus respectivos pedestales a los grandes protagonistas de la historia de México y por exhibirlos como figuras de carne y hueso con sus fortalezas y debilidades […] Aquí está Arrebatos carnales II.»
Francisco Martín Moreno regresa con grandes hombres y mujeres de la historia y sus amores. Para abrir apetito comienza con la Güera Rodríguez, mujer hermosa y estratega audaz, en amoríos con Iturbide; también nos lleva de la mano por la alcoba de Diego Rivera y sus múltiples amantes, mientras vemos de perfil a una Frida Kahlo rompiendo moldes; otra mirada dura de las pasiones es la de Isabel Motecuhzoma, hija del gran Motecuhzoma Xocoyotzin, para seguir con la entereza de doña Josefa Ortiz de Domínguez y cerrar, como una gran cereza, con los arrebatos de don Lázaro Cárdenas.
ENGLISH DESCRIPTION
Once again, Francisco Martin Moreno helps us enjoy the history of Mexico by getting to know some of its private affections and its passionate ins-and-outs.
“As a testament to show that I was not at all bothered by the adverse comments I received after my last publication, nor did I care that they called me irreverent, among other adjectives, for having dared to lower the great protagonists of Mexico’s history from their respective long-lived pedestals, and for portraying them as humans made of flesh and bone with both strengths and weaknesses […] Here I offer you Carnal Outbursts 2”. —Francisco Martin Moreno
Francisco Martín Moreno returns inviting us once again to humanize the great men and women in history and their love affairs. He begins with the Güera Rodríguez, a beautiful woman and audacious strategist, and her love affair with Agustin de Iturbide, future emperor of Mexico; He also takes of Diego Rivera’s bedroom and his revolving door of many lovers, while we see a profile of Frida Kahlo breaking the mold; He offers a hard look at the passionate relationships of Isabel Moctezuma, daughter of the great Moctezuma Xocoyotzin (Moctezuma II); He continues with Doña Josefa Ortiz de Domínguez’ strength and determination, and closes, with a cherry on top, with the outbursts of none other than Don Lázaro Cárdenas.
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