The Tomb of Oedipus

Praise

“This is an immensely enjoyable book on Athenian tragedy, written in lyrical prose and elegiac mode.”
—Johanna Hanink, Classical Review

“William Marx doesn’t take anything for granted. Here, his thoughts take us to the most established concept in literature, ‘Greek tragedy,’ and then undermines it. His tools: the integration of in-depth historical analysis, detailed understanding of the antique plays, studying the traces of lost plays, and a rethinking of what always seemed obvious but is in fact anachronistic. He questions the very concept of the tragic, revises other basic concepts such as catharsis, and offers a fresh reading of those texts that re-become vital for the history of literature and our contemporary world.”
—Mieke Bal

“This is an original and eye opening book. Its fundamental idea is quite simple. Only 32 Greek tragedies from the 5th century BCE have been preserved, which corresponds to less than 5% of the tragedies that had been put on stage. Can we consider this sample to be representative? The selection has been the product of a judgments about what constituted a good, a typical tragedy, a tragedy that should be read by children at school; but these were judgments from Roman imperial times, that are possibly and likely very different from the taste of the original Athenian audience. Has the tragedy of the 5th century really been tragic in the sense that Roman school teachers seem to imply? Marx’s attempt to answer this question is intellectually sophisticated, wonderfully readable—and full of surprising insights.”
—Luca Giuliani

“William Marx is one of the most original scholars of our time. The Tomb of Oedipus is a revolutionary rethinking of our relationship to the ancient world: its myths, its literature, its outlook. With this slim book, Oedipus’s curse has been lifted at long last.”
—Alberto Manguel, Director of Espaço Atlântida, The Centre for Research into the History of Reading, Lisbon

“Marx, a comparative literature professor at the Collège de France, refreshes ancient literature and the concept of tragedy in this intelligent work of criticism … Elliott’s translation is smooth and elegant, matching the sophistication of Marx’s thought as he reinvigorates Greek tragedy.”
—Publishers Weekly