Notes on Her Color

Winner of the Vulgar Geniuses Award
Harper’s Bazaar, A Best Book of 2023
One of Electric Literature‘s Books by Women of Color to Read This Year
Debutiful, A Most Anticipated Book of the Year
Goodreads, A Buzziest Debut Novel of the Year

“A vibrant story of self-actualization . . . Riveting . . . A sweeping story of family, community, coming of age, trauma, mental illness, and the life-giving power of art.” —Sarah Neilson, Shondaland

“At its core, this is a story of expectations, relationships and love.” —Karla Strand, Ms., A Most Anticipated Title of the Year

“Notes on Her Color is not only a debut novel by Jennifer Neal, but also a musical composition. Each word is a note carefully considered before being etched onto the page with the hope of bringing art to life and feelings to the surface.” —Aaron Coats, Chicago Review of Books

“In this coming-of-age debut, exceptional storyteller Neal paints a picture of racism and patriarchy in suburban Florida and one young woman’s journey to break free from it all.” —Booklist (starred review)

“A haunting coming-of-age story, a melodic love letter to the language of music and a fierce, dark, rage-filled upbraiding of patriarchal violence . . . A fascinating commentary on race, power, invisibility and desire.” —Laura Sackton, BookPage

“This novel sparkles with rich, lyrical, sensuous prose. It portrays dysfunctional family relationships, cleverly revealing their complexity and contradictions as the story unfolds. It is moving and desperately sad at times, yet not without hope. An original novel that will stay with me long after reading.” —Jacqueline Roy, author of The Gosling Girl

“Remember how the half-hidden rides at amusement parks seemed riskier than the out-in-the-open, sky-high roller coasters? Because you’d hear a scream get swallowed up behind the façade of a mountain range and not know what was going to come next. Reading Jennifer Neal’s impressive debut, Notes on Her Color, a magical journey about music and race and queerness and passing and mothers and daughters, reminds me of those mysterious, thrill rides. While the twists and turns hide around the bend, you are also keenly aware that you’re being navigated safely, regardless of the illusion of danger. Then when you get dumped into the daylight, hair all mussed from the swerves, the first thing you want to do is to turn to your fellow passengers and recap every moment. Read this book. Come find me and we can bond over our shared joy. Weep over what we thought we feared.” —Gene Kwak, author of Go Home, Ricky!

“Gosh, what a wonder this book is. It’s about race, yes of course. But it’s about so much more as well. It’s a tale of mothers and daughters, of Florida hurricanes and the madness of music. It’s about code switching in ways that you’ve never considered, and about what it means to be of a place and of a people. Jennifer Neal has written a book drenched in hurt and magic, love and grief. Read it twice, because a book like this comes along rarely.” —Sami Shah, author of Boy of Fire and Earth

“This is a coming of age story with a difference. With a generous helping of magical realism and the assured tenderness of a born storyteller, Jennifer Neal lays bare the brutality of how intergenerational trauma and racism conspire to teach us to hate ourselves.” —Ruby Hamad, author of White Tears/Brown Scars

“Spellbinding and original, Notes on Her Color marks the arrival of a significant new voice in contemporary literature. Through the story of Gabrielle, a young woman seeking to transcend the ‘orchestral catastrophe’ of her home life, Jennifer Neal has crafted a vivid and powerful meditation on mothers and daughters, houses haunted by the living, and the redemptive power of love and music.” —Tom Drury, author of Pacific

“This novel is an ode to the artistic and individual truth and an unflinching examination of soft-spoken suburban bigotry; it’s a crescendo of Florida hurricanes, first love, and the undeniability of becoming yourself. The remarkable protagonist of Notes on Her Color practices Chopin’s second piano scherzo, a piece described by Schumann as ‘so overflowing with tenderness, boldness, love, and contempt.’ The same is all true of Jennifer Neal’s lyrical and urgent debut.” —Rebecca Rukeyser, author of The Seaplane on Final Approach