Long Past Midnight

Praise for Jonathan Maberry:

“Maberry spins great stories. . . unique and masterful.” —Richard Matheson

“Jonathan Maberry’s horror is rich and visceral. It’s close to the heart . . . and close to the jugular.” —Kevin J. Anderson

“Maberry’s works will be read for many, many years to come.” —Ray Bradbury

“Maberry supplies plenty of chills, both earth-bound and otherworldly.” —Publishers Weekly
 
“Maberry will scare the hell out of you.” —Tess Gerritsen

“This guy is good.”—Joe R. Lansdale

“What began as a classic ghost story evolves with Dead Man’s Song into something more of a classic monster tale.  Ignore the curse of the second book of the trilogy.  Dead Man’s Song keeps the reader rapt and moves quickly, leaving the audience hungry for the final chapter in the saga.” — Dreadcentral.com
 
“Maberry proves that he has the chops to craft stories at once intimate and epic, real and horrific, and to create the kind of fiction that should bring disaffected readers back to the fold.” — Bentley Little

“Reminiscent of Stephen King . . . Maberry supplies plenty of chills in this atmospheric novel. . .  This is horror on a grand scale.”—Publishers Weekly on Ghost Road Blues