“When Piet Mondrian started making his geometric abstractions in primary colors, he was going for something accessible: breaking down images into their purest and simplest forms. But they didn’t refer to reality in recognizable ways, and, to some, their harsh lines came off as cold and uninviting. After his death, however, in a posthumous collaboration with fashion designer Yves Saint Laurent in 1965, Mondrian’s work was finally able to reach the mass audience he always wanted. This glamorous yet scholarly book from MIT Press tells the story in the context of that era’s Pop art.”
—Art in America
“Celebrating the 1965 launch of Yves Saint Laurent’s iconic frock, Mondrian’s Dress by Nancy J. Troy and Ann Marguerite Tartsinis documents the spectacular, fortuitous collision of French couture, Dutch abstract art, and American pop culture that resulted from that simple yet striking dress. Talented storytellers with a true passion for their subject matter, art scholars Troy and Tartsinis embellish Mondrian’s Dress with lavish photography, newspaper and magazine articles from the era, and eye-catching graphics illustrating the ‘phenomenal impact’ of Saint Laurent’s geometric patterned dress on New York street fashion. This elegant coffee-table collectible is sure to intrigue readers with its animated exploration of the ‘manifold connections’ between fashion and art in the pop-culture explosion of the swinging ’60s.”
—Shelf Awareness
“A new book published by MIT Press provides a fresh take on this iconic pop culture phenomenon that spans decades and generations. Art scholars Nancy J. Troy and Ann Marguerite Tartsinis offer much context and background on the different threads of stories that link the two artists together. Using archival clippings from newspaper and magazine articles published at the time, as well as eye-catching graphics, the book explains the impact of one of the twentieth century’s most recognizable fashions, using anecdotes and sources. It goes into how and why the design became so iconic, and how merchandizing and commodification played strategic roles in the popularization of the pop culture phenomenon.
—Arab News
“Mondrian’s Dress: Yves Saint Laurent, Piet Mondrian, and Pop Art is an illustrated monograph that explores a mid-’60s moment, one that has been sitting in plain sight, largely unexamined, for more than half a century—and whose significance went well beyond fashion. As the authors reveal, the untitled yet instantly allusive ‘Mondrian Dresses’ were like sails catching a trade wind. Tagged after the fact in a rush to capitalize on the critics’ raves, they not only achieved an image reboot for Saint Laurent—who’d been left behind by André Courrèges, Pierre Cardin and their space-age ethos—but spurred a triumph of trickle-down copying that injected Pop Art and its flat affect into Western visual culture.”
—Wall Street Journal
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