Longlisted for the PEN Translation Prize
An Amazon Best Book of the Month
The Washington Post, A Must Read Book for Fall
Tokyo Weekender, A Most Anticipated Title
The Millions, A Most Anticipated Book of the Year
Library Journal, A Most Anticipated Book of the Year
“Fans of Kitchen, the 1988 debut that turned Yoshimoto into a sensation, will delight in Asa Yoneda’s translation of The Premonition. [. . .] Luscious . . . Yoshimoto bucks beautifully against convention.” —Maya Binya, The New York Times Book Review
“Casts a delicate spell . . . Between Yoshimoto and her translator, Asa Yoneda, there is something otherworldly . . . The novel taps into anxiety about memory, childhood and the peculiar feeling that there’s a hidden truth about ourselves we’ve forgotten, and if only we took pains to find it we might finally feel at home.” —Genevieve Gaunt, The Spectator
“Yoshimoto has always had this extraordinary ability to convey the ephemeral natures of her main characters in plain yet diaphanous language: ‘she harboured something vast, lost, and familiar, and it was like a siren call to those of us who were missing parts of our childhoods. It was something deeper than night, longer than eternity, out of reach.’ Yoshimoto’s writing could be described the same way.” —Fi Churchman, ArtReview
“The Premonition is a quick but effective read about allowing the secrets of the past to create a walkway into a truthful new future.” —Jana Siciliano, Bookreporter
“Yoshimoto packs a lot of detail and intrigue in this spare novel . . . A bestseller over three decades ago, readers familiar with Yoshimoto’s work will not want to miss this one. It is a welcomed addition to her oeuvre for English reading audiences and definitely worth the wait.” —Shirley Quan, Library Journal (starred review)
“One of Japan’s most beloved contemporary authors . . . Yoshimoto infuses the familiar coming-of-age experience (leaving home, separation from parents) with (of course) unusual twists.” —Booklist
“Yoshimoto builds a satisfying narrative of a young girl figuring out who she is, and how her family may be more than she realized. While much of the plot hinges on Yayoi’s preternatural intuitions, each step is carefully plotted to slowly unearth the secrets of the past. No word is misspent in Yoshimoto’s taut tale.” —Publishers Weekly
“The women in Yoshimoto’s short stories and novels often have an aura of loneliness around them, an acknowledgment that what they are going through in this world, they are going through on their own. And yet, there is also an acceptance of this truth, and an accompanying resilience that makes them compelling—and that compels them forward in their lives, as they seek out answers, in order to live honestly, on their own terms, in their own truth.” —Kristin Iversen
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