The Hearing Test

Praise

A Dakota Johnson x TeaTime Book Club Pick
The Telegraph, A Best Novel of the Year
Nylon, A Must-Read Book of the Month
Bookshop, A Most Anticipated Title of the Year
Goodreads, A Most Anticipated Debut
The Millions, A Most Anticipated Book of the Year

“Over the course of a year in New York City, an artist goes deaf. She records her life as her hearing slips away, reflecting on silence, art, and record-keeping itself in this meditative novel.” —The New York Times Book Review

“This engrossing, eccentric novel ties together our ideas about time and sensation, revealing how illness alters both. Then it untangles that knot and weaves a linguistic fabric unlike any you’re likely to have felt before.” —Emmeline Clein, The Atlantic

“Excellent . . . In this ambitious yet compact book, we continue to occupy the slippery ground between mimesis and anti-mimesis—the place where life imitates art and vice versa.” —Kate Simpson, The Telegraph

“[The Hearing Test] has a loosely structured feel, often to delightful effect. There are numerous brilliant scenes of the narrator navigating her new life.” —John Self, The Guardian

“[The Hearing Test] made me look differently at what we call the mundane and ordinary and all that slips through to be lost when we mark it as unimportant . . . Callahan’s debut is refreshing and recommended for anyone navigating their own period of crisis and feeling unmoored.” —Aliza Rahman, The Daily Star

“A novel by turns wry and revelatory and taut . . . Replete with crystalline heightened moments.” —Lou Ann Walker, The East Hampton Star

“In a way that echoes [Rachel] Cusk’s writing, Eliza’s descriptions and judgments about her surroundings throw her inner life into relief: they seem designed to direct attention to how her mind moves. Callahan also shares Cusk’s flair for seeding strange and piquant details into the speech of her narrator’s interlocutors . . . Heartbreak and hearing loss are either symbols for each other or paired expressions of something deeper: a fundamental out-of-tune-ness that is beguilingly present in Callahan’s style . . . [B]reathtakingly crafted.” —Katy Waldman, The New Yorker

“Both meditative and deliciously funny . . . masterfully-observed.” —Keziah Weir, Vanity Fair

“Pitch-perfect . . . Callahan handles humor with a lightness of touch, both in form (at 176 pages, the book is slight) and sensibility (the prose is enviably precise), that good comic timing has. Think of Charlie Chaplin walking off into the distance, brokenhearted and twirling his cane . . . Callahan creates something bigger than a simple story of individual trauma—by relinquishing an easy sense of exceptionalism, Callahan achieves something here that you might call grace.” —Hannah Regel, Jacobin

“[A] brilliant autofictional debut . . . Callahan’s philosophical prose, reminiscent of Fleur Jaeggy and Clarice Lispector, exhibits a quality of attention increasingly rare in our screen-addled era.” —Mia Levitan, The Times Literary Supplement

“An original, extraordinarily vivid book that is as much about life, chance and falling out of love, as it is about sickness, The Hearing Test is an invigorating study of the beauty and possibilities of language and representation.” —Holly Connolly, AnOther Magazine

“Callahan uses the narrator’s sudden deafness—and the questions that abound from such a radical transformation in how she engages with the sensory world—to claw at the underbelly of experience, to investigate conscious life at the most basic of units . . . There’s consistent humor, little bursts of observational wit . . . [and] transcendentally lucid prose.” —Stuart Beal, Columbia Spectator

“This is a deeply moving meditation on life and loss—a stunning debut.” —Yvonne C. Garrett, The Brooklyn Rail

“In dreamlike, state-of-consciousness free-flowing prose, Eliza Barry Callahan’s debut novel is unpredictable, warm, and artistic.” —Sam Franzini, Our Culture Mag

“The Hearing Test is a gift. It touches on many forms of art—visual art, dance, music, literature—and those who create it. It explores the ways in which relationships—parental, romantic, sexual, platonic—change according to time and circumstances. And it traces how sometimes not having all the answers can lead to journeys of greater understanding, by way of some surprising meanderings.” —Norah Piehl, Bookreporter

“Callahan debuts a magnificent stream-of-consciousness narrative portraying a young New York City artist as her hearing deteriorates . . . A bracing immersion into the world of the senses.” —Publishers Weekly (starred review)

“[A] quietly electrifying debut . . . This is a special novel with a style reminiscent of Magda Szabó’s The Door and whose commitment to making sense of everyday existence calls to mind Tom McCarthy’s Remainder.” —Booklist (starred review)

“[W]hirling perambulations between memory, present-day interactions, and reflections on the historic creates the sense that this is not solely another navel-gazing missive but rather a woman asserting that there is value and artistry to be found in a thoroughly examined life . . . Callahan’s deft hand, bobbing and weaving down these many avenues of thought, suggests a promising confidence from a writer just getting started.” —Nina Moses, The Rumpus

“A writer of unusual talents and profound preoccupations: a literary newcomer to watch.” —Kirkus Reviews

“In this striking novel, ‘controlled panic’ gives way to a cool remove when a young artist suddenly goes deaf. Silence, for her, ‘is dressed as an injury,’ but it is also the point of entry into the lives of other creators, and philosophers. Elegant and startling, The Hearing Test is a contemplative gem.” —Amy Hempel, author of Sing to It

“Not for a while have I read a book by a writer new to me, and felt so much toward it so fast. The Hearing Test takes up fragility, sound and silence, solitude, the unknown, and the self in relation to others with a light, yet serious touch. I’ve found a new favorite.” —Amina Cain, author of Indelicacy

“Eerie and tender and utterly consuming, The Hearing Test has built an entirely new world from the materials of the one we know. It takes you to a restaurant called the void, Il Vuoto, and serves you its primal, beguiling sustenance: a nourishment of pauses, estrangement, and bewilderment. The voice here is wise and wry and wondering; in its fresh and faltering silences are frequencies I’ve never heard before. From the first paragraph, I knew I wanted to keep reading Eliza Barry Callahan forever.” —Leslie Jamison, author of Splinters and The Empathy Exams

“A composer suffering from sudden hearing loss finds herself even more sensitive to the lives of others, observing neighbors and the absurdities of the city, always punctuated by art and literary gossip. This debut work by Eliza Callahan is an extraordinary piece of literature, to be read alongside the novels of W.G. Sebald, Rachel Cusk, and Maria Gainza.” —Kate Zambreno, author of Drifts