“This beautifully written mystery-meditation on a failed justice system is tragic and inspiring.” – Booklist STARRED Review
“(A) promising debut… with often breathtaking prose… Crime fiction fans will be eager to see what Perry does next.” – Publishers Weekly
“Structurally, “Seraphim” is less a crime novel than it is a meditation on the cumulative effect of crime on individuals, and on a city. Perry writes as if he has seen too much and come through the other side.” — The New York Times Book Review
“Debut novelist Perry, a former New Orleans public defender, has wonderfully distilled a world of hurt onto the page.” — firstCLUE
“Seraphim is a thrilling page-turner, as well as a deeply humane investigation into the many forms of justice. It will make you look at the world differently—as much as a book could hope to do.” – Jonathan Safran Foer, author, Everything is Illuminated
“There are few starker examples of the disparity between America’s self-image and the actuality of its streets than New Orleans, where grand mansions bloom alongside abject poverty. Much the same is true of America’s legal system. Joshua Perry brings both city and system — accurately, heartbreakingly — to the pages of Seraphim.” James Sallis, author, Drive
“Seraphim will receive much well-deserved praise for its fearless, page-turning expose of a blind, deaf, and dumb justice system in the often nightmarish cityscape of post-Katrina New Orleans. But the fierce impact of this marvelous novel could not have been realized without the compelling, big-hearted portraits of the fallen angels whose quixotic efforts attempt to redeem a broken world.” Steve Stern, author, The Village Idiot
“A beautiful, heartfelt lament for the lost and those who must live with loss; an authentic mournful blues for the victims and the perps and everyone caught between; a broken hallelujah that rings true and echoes long after the final, triumphant note.” — Gregory Galloway, author of Just Thieves
“Joshua Perry’s New Orleans-based novel Seraphim is about many things; social justice and injustice, race and racism, friendship and betrayal, crime and punishment and the realpolitik of judicial compromise. It is a ‘lived’ novel; the characters and voices, the intimate details observed, small defeats and even smaller victories feel so true to life that the reader can forget that the story, although well anchored in a world of experience, is fiction.” — Richard Price, author of Clockers
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