“Incredibly, Gladman pulls off a story about a failed piece of writing that doesn’t feel self-indulgent. Instead, it’s packed with wonderfully strange ideas (while writing After That, Gladman wondered if she was existing in the realm of fiction), and it builds to a clarifying conclusion about the relief of letting a project go. This is a marvel.” —Publishers Weekly
“Renee Gladman has always struck me as being a dreamer—she writes that way and the dreaming seems to construct the architecture of the world unfolding before our reading eyes.” —Eileen Myles
“Gladman manages to achieve an impossible balance between the intellectual rigor of an academic, the linguistic sensibility of a poet, and the probing logical fantasy of a visual artist.” —Trevor Ketner, Kenyon Review
“Reading Gladman, I sometimes feel I’m watching a mastermind manipulate a Rubik’s Cube, except the goal isn’t to solve it but to present every possible arrangement.” —Ben Purkert, The Rumpus
“Gladman pushes up against the boundaries of narrative while nestling comfortably within it. Her prose is vivid, meandering, and acute.” —Publishers Weekly
“TOAF is a slim little volume, but its pages swallow the world whole. If My Lesbian Novel is a book about a book coming into being, TOAF is a book about a book that never came to be. Gladman’s books confront endings like lunar cycles, rebirth inherent on their face.” —Erin Vachon, The Rumpus
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