“This book asks a question that is fundamental to game design—’How do we know we are playing?’—and considers a range of answers. [Pearce’s] analysis makes the case that it is very important for us to understand these distinctions and delineate the boundaries because if we cannot, we encounter “the severe and deadly consequences of playframe misalignment.’”
—Choice
“Building on Bateson and Goffman, Pearce shows how cosplay and larps, the whole digital package, make playing and gaming central to twenty-first-century personal, social, and political life.”
—Richard Schechner, editor of TDR: The Drama Review; theater director; author of Performance Studies: An Introduction
“Celia Pearce brings her essential voice to core questions about metacommunication: How do we know if we are playing in a world where play and reality are blurred in so many ways?”
—Henry Jenkins, author of Textual Poachers: Television Fans and Participatory Culture
“Using sophisticated media theory, Playframes unpacks the events of January 6th in unexpected, deeply interesting ways. Like an intriguing game, this text puzzles, provokes, enchants, and clarifies. It is a page turner, a rare treat in a thoroughly academic book.”
—Bonnie A. Nardi, Professor Emeritus, University of California, Irvine; coauthor of Heteromation, and Other Stories of Computing and Capitalism
“Required reading for our times! With her notion of ‘playframes,’ Pearce provides a hermeneutic key to open and interrogate the fraught space between fiction and fact, games and the larger political order.”
—William Uricchio, Professor Emeritus of Comparative Media Studies, MIT; author of Collective Wisdom
QUICK VIEW
