Praise for The Stalker
Vogue’s Best Books of the Year
NPR’s Books We Love 2025
A Publishers Weekly Editors’ Pick
Lit Hub’s Most Anticipated Books of the Year
“Brilliant, disturbing, and hilarious . . . [Doughty’s] deficiencies only make Bomer’s perverse odyssey more compelling . . . For all the obvious comparisons to Patricia Highsmith’s Tom Ripley or Bret Easton Ellis’s Patrick Bateman, Doughty also serves as a male counterpart of Ottessa Moshfegh’s narrator in My Year of Rest and Relaxation: a blond narcissist who stares out onto a vanished Manhattan skyline through a cloud of drugs, desperation, and delusion. The final pages, as in Moshfegh’s work, will move readers with their unlikely and ultimately transcendent beauty.”
—Vogue
“Shocking . . . Beautifully executed. [Bomer] forces readers to get uncomfortably close to Doughty, a uniquely repellent character whose obliviousness makes him grimly fascinating . . . This is, in part, a darkly funny novel, and Bomer walks a fine line brilliantly — the moments of humor don’t detract from the seriousness of the themes.”
—NPR.org
“Exhilaratingly ghastly . . . Doughty’s great gift [is] knowing what a woman needs and what she will tolerate to get it, how his cruelty is best deployed or concealed. To nauseating effect, his skill escalates operatically as the book continues. It’s a knockout novel.”
—The Guardian
“Doughty, as Robert Doughten Savile is known, is a cold-blooded sociopath who especially enjoys torturing and taking advantage of vulnerable women. Sounds like it wouldn’t be fun to be stuck in his head for the duration of a novel? Well, it somehow is, thanks to Bomer’s narrative minimalism, eye for detail, and uniquely twisted ability to find humor in the darkest places . . . [Doughty’s] comeuppance is cathartic, glorious, and almost too viscerally disturbing to read. But read it you must.”
—The Cut
“A dark comic thrill . . . The details in Brooklyn author Paula Bomer’s third novel land with unusual eeriness.”
—Vulture, “8 New Books You Should Read This May”
“The most unlikeable protagonist in recent memory. I read this book as a ‘fuck you’ to every guy who looks up to Patrick Bateman in American Psycho. The Stalker is haunting, extremely unpleasant, and one of my favorites of the year.”
—Anthony Jeselnik
“An endurance exercise in queasy fascination . . . Singular voice, tight sentences, vivid, stripped-down imagery . . . Genius.”
—Southwest Review
“Bomer’s work has often taken quiet, interior moments and rendered them explosive. With The Stalker, the subject matter for the dark satire and Bomer’s surgical precision as a writer combine for one of the most disturbing, bold, and hilarious novels in recent memory.”
—The Brooklyn Rail
“Few writers working today can get inside the heads of desperate, frustrated, or disturbed characters the way Paula Bomer can.”
—Vol. 1 Brooklyn
“American Psycho leavened by an element of dark comedy . . . Doughty is an audacious character, and The Stalker is a brave, page-turning read.”
—Melanie Fleishman, The Center for Fiction Bookstore
“The Stalker is written with such joie de vivre and exuberance—it feels like an endless, picaresque caper to see how much Doughty can extract from other people—even as the man’s exploits become more, well, exploitative. A book you’ll knock out in one sitting.”
—Celine Nguyen, Personal Canon
“What gives this tale of privilege and swindling real heft is the fact that the main character is not just foolish, but downright predatory . . . Paula Bomer refuses to let her audience avert their gaze.”
—CULTURED Magazine
“Rendered in stylish third-person prose that keeps you oscillating between dread and morbid fascination . . . The Stalker is a blast to read. That’s Bomer’s genius. Her voice turns Doughty into the grotesque punchline of a very dark, very satisfying joke. Every delusion is met with a wink. Every vile act is delivered with just enough distance to make you want to scream, laugh, throw the book across the room, then immediately pick it back up.”
—Language Arts
“Almost excruciatingly dark . . . But Bomer’s precisely crafted prose makes the plot worth stomaching and even consistently, improbably funny. Bomer is also excellent at portraying real, of-the-era New York locations like quintessential downtown dive bars Lucy’s and Milady’s.”
—ANTIGRAVITY Magazine
“An audacious character study . . . Bomer gets in and out like a sucker punch.”
—The Maris Review
“[The Stalker] is barely enjoyable because it must be. For [Bomer] to encase her narrative in elegance and wit, or to leaven its mordant delusions with pathos or more overt comic beats, would mean to deprive it of its bite.”
—The Washington Examiner
“Doughty is perhaps one of the most morally repulsive characters put to the page in years. Despite that, Bomer’s fast paced and darkly comic writing keeps the reader riveted, unable to turn away as his behavior becomes ever more repugnant . . . [The Stalker] lingers long after the grim conclusion.”
—Avalon Free Public Library Journal
“[A] blistering, satirical novel . . . As odious as its main character is, The Stalker is one of the most hilarious and horrifying books to ever parse the crimes of sexism.”
—Alfred Hitchcock Mystery Magazine
“Bomer through her dark humour peels back the layers of privilege, misogyny, and narcissism. If you’re a fan of unreliable narrators, The Stalker is a must-read.”
—The Indian Express
“A portrait of an empty and hollow-eyed kid whose only gifts are limitless arrogance and an instinct for predation. Reading it made me feel soiled . . . The Stalker is somehow mirthless and genuinely hilarious at the same time . . . Paula Bomer stared down the barrel for this one.”
—Jayson Greene, author of UnWorld
“Paula Bomer’s The Stalker is unlike any book I have ever read. Bomer is the master of the interior monologue, taking us inside the mind of a completely unhinged, entirely reprehensible person. Even his name—Doughty—is repugnant. Bomer brings us an anti-hero so clueless while simultaneously so sure of himself that he is almost, and by this I mean almost, funny. Women, beware.”
—Marcy Dermansky, author of Hot Air
“Rarely does a book come along that rearranges perception and sings with psychological acuity. The Stalker is an impeccable character study of the least self-aware man on earth. How often do we get to see a monster from his own vantage? With Paula Bomer in charge, a stylist of the highest order, I wanted to follow him anywhere. This novel is heart-pounding, endlessly entertaining, and in complete touch with humanity. Risky and brilliant, dark as hell and bitingly comic as only the masters can pull off. Wholly satisfying to the final glorious moment.”
—Chelsea Bieker, author of Madwoman and Godshot
“In her gripping new novel The Stalker, Paula Bomer asks what it takes to survive the most destructive forms of masculinity. Ferocious and suspenseful, one part satire and two parts cautionary tale, its pages scorched my fingertips but I couldn’t put it down.”
—Alison B. Hart, author of The Work Wife
“The Stalker is an eyeball-scorching wonder, another brilliant addition to the Bomer canon. Paula Bomer shows us once again why she’s one of the boldest, most intense but also most precisely observant and perversely funny novelists working today.”
—Sam Lipsyte, author of No One Left to Come Looking for You
“The Stalker is the kind of thrilling, demented literary fiction that will keep you reading late into the night and when you get to the end you’ll want to start it all over again. Masterful.”
—Bud Smith, author of Teenager
“Paula Bomer is a voice I’ve come back to again and again—going against the grain, unafraid of wallowing in the shadows, unflinching in her prose. The Stalker is a powerful read, a book that left me unsettled and adrift.”
—Richard Thomas, finalist for the Bram Stoker, Shirley Jackson, and ITW Thriller Awards
“Bomer tracks the increasingly threatening behavior of a sociopath in her excellent and shocking latest . . . As Doughty insinuates his way into the lives and homes of [two] women, the novel enters into genuinely disturbing territory. Bomer is equally adept at rendering Doughty’s warped psychology as she is with injecting dark humor into the proceedings . . . This is dark and twisted fun.”
—Publishers Weekly, Starred Review
“Unsettling . . . A compelling character study. Bomer has created an antagonist who is a unique blend of an even more troubled Holden Caulfield mixed with a less appealing Patrick Bateman. Readers’ desire for Doughty to receive karmic retribution will propel them forward through the thriller’s disconcerting content.”
—Booklist
Praise for Paula Bomer
“Bomer offers her characters no outs—only the creeping sense that they’re doomed to swing forever between futile attempts at self-determination.”
—The New York Times Book Review
“Phenomenal.”
—The Atlantic
“Dark, sharp, and hilarious.”
—New York Magazine
“Haunting, defiant.”
—Milwaukee Journal Sentinel
“Bomer’s book will be talked about because she writes with such honesty about sex, but it is in matters of the soul she is most honest. These are women laid bare. Bomer dares us to look.”
—The Rumpus
“I inhaled this novel. Astute. Empathetic. Unsparing. Brilliant. Bomer pushes the emotional envelope—and then shoves harder.”
—Thelma Adams, author of Bittersweet Brooklyn
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