Best Seller
Blackness Thirteen Ways
Hardcover
$32.00
Available on Oct 20, 2026 | 320 Pages
The art historian, poet, and novelist close-reads images, moving and still, canonical and lesser known, that have shaped her evolving identity as an American “Mulatta” lesbian born at the end of the Civil Rights Movement in this singular blend of life-writing and cultural studies.
The daughter of the WASP mother who raised her and a Black father she has never known, J. Vanessa Lyon delivers a candid memoir across thirteen uniquely structured chapters in conversation with enduring, often damaging, mis/representations of so-called race mixing in fine art and popular media. Reflecting on a lifetime of being “dis-read,” she examines insidious cultural tropes of White passing beginning with art from the era of transatlantic slavery—from Rembrandt and Rubens, Gentileschi and Stubbs, to Manet—before moving on to Br’er Rabbit, Louise Nevelson, 1950s melodrama, and Adrian Piper. Original analysis of a broad chronological range of visual art parallels the unfolding of Lyon’s sense of self as animated by the interiors and geographies—not to mention the challenging and remarkable women—that have figured in her life. Through her investigations, she comes to terms with long-withheld information and the seemingly unalterable reality of being an out lesbian who, legally Black, may never be viewed by Whites or other African Americans in the ways she experiences her own raced and gendered personhood.
By turns scholarly and intimate, Blackness Thirteen Ways reveals surprising connections between the art Lyon teaches and the woman she has become, challenging history to accommodate an unapologetic image of herself and other “impassably” Black women.
The daughter of the WASP mother who raised her and a Black father she has never known, J. Vanessa Lyon delivers a candid memoir across thirteen uniquely structured chapters in conversation with enduring, often damaging, mis/representations of so-called race mixing in fine art and popular media. Reflecting on a lifetime of being “dis-read,” she examines insidious cultural tropes of White passing beginning with art from the era of transatlantic slavery—from Rembrandt and Rubens, Gentileschi and Stubbs, to Manet—before moving on to Br’er Rabbit, Louise Nevelson, 1950s melodrama, and Adrian Piper. Original analysis of a broad chronological range of visual art parallels the unfolding of Lyon’s sense of self as animated by the interiors and geographies—not to mention the challenging and remarkable women—that have figured in her life. Through her investigations, she comes to terms with long-withheld information and the seemingly unalterable reality of being an out lesbian who, legally Black, may never be viewed by Whites or other African Americans in the ways she experiences her own raced and gendered personhood.
By turns scholarly and intimate, Blackness Thirteen Ways reveals surprising connections between the art Lyon teaches and the woman she has become, challenging history to accommodate an unapologetic image of herself and other “impassably” Black women.
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Author
J. Vanessa Lyon
J. VANESSA LYON is the author of Figuring Faith and Female Power in the Art of Rubens as well as The Groves, an Audible Original and Lush Lives, an NBC News Best LGBTQ Book of the Year. A James Baldwin Fellow at MacDowell and a Fulbright Scholar, Lyon holds a PhD in the history of art from UC Berkeley. She has received fellowships from the Yale Center for British Art, the Lewis Walpole Library, and the Huntington Library and Art Museum, among others. Her studies have appeared in Art History, Huntington Library Quarterly, Word & Image, Representations, and elsewhere. Lyon is professor of art history at Bennington College, where she has directed the Visual Arts Lecture Series since 2017. She and her cat divide their time between southern Vermont and Santa Fe, New Mexico.
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