The Rambo Report

Praise

Praise for Nat Segaloff

“Finally! The definitive work on the global phenomenon that is Rambo has arrived! From his inception in the mind of the great David Morrell to his introduction in 1972’s novel, First Blood, through two subsequent novelizations and five Sylvester Stallone films, Nat Segaloff explores a character who reflected the changing mores of a nation and became a cultural icon. The Rambo Report is more than a book that celebrates one of the most significant and compelling characters of the past century—it is a time machine that takes the reader on Rambo’s journey from ‘some nothing kid for all anybody knew’ (the novel’s first sentence) through a metamorphosis and ascension to the status of legend. The Rambo Report far exceeded my highest expectations!” —Jack Carr, #1 New York Times bestselling author of The Terminal List series, on The Rambo Report
 
“As he did in The Exorcist Legacy: 50 Years of Fear and Say Hello to My Little Friend: A Century of Scarface, Nat Segaloff both recounts and celebrates the Rambo films, novels, and the people who created them. He shows that they were more than action movies—they were a phenomenon that provides us with a sharp-eyed, highly readable record of the times in which they were made.” —Lawrence Grobel, author of The Hustons, Conversations with Capote, Al Pacino: In Conversation, and Conversations with Brando, on The Rambo Report

“As both a film writer and a lifelong fan of all things Rambo, I’m happy to say that The Rambo Report is, and will forever be, the definitive work on the subject. Nat Segaloff covers every aspect of Rambo’s history, significance, and enduring impact on American culture.” —Andy Rausch, author of The Films of Martin Scorsese and Robert De Niro and The Taking of New York City: Crime on the Screen and in the Streets of the Big Apple in the 1970s, on The Rambo Report

“A decade after establishing himself as an intensely low-key version of the American gangster as Michael Corleone in The Godfather, Al Pacino created a legendary role of a different sort in Brian De Palma’s high-octane 1983 remake of the 1932 gangster drama Scarface. Veteran film writer Nat Segaloff’s Say Hello to My Little Friend marinates in the merging of massive egos in a high-stakes context but also offers digressions into the history of the Cuban drug trade and the evolution of the American dream by way of the criminal underground. Mr. De Palma’s Scarface was a box office bomb upon its release, but as a brute-force commentary on unhinged avarice, it has taken on mythic dimensions in the 40 years since its release. Mr. Segaloff rhapsodically captures the manic appeal of a once-reviled and now fetishized gangland odyssey.” —The Wall Street Journal on Say Hello to My Little Friend

“Not content with tracing the origins, production, reception, and legacy of Howard Hawks’s film and Brian De Palma’s remake with an incredible wealth of detail, Nat Segaloff takes digressions into the history of the main players, Prohibition, the cocaine trade, and many other subjects, always in a concise and entertaining manner. For all these reasons, Say Hello to My Little Friend is the ultimate all-in-one guide on Scarface that will teach you everything and more.” —Laurent Vachaud, co-author of De Palma on De Palma, on Say Hello to My Little Friend

“Brilliant. One of my favorite films. So many ways to look at it. So much I didn’t know. Nat Segaloff is that rare film scholar: as entertaining as he’s informative.” —David Morrell, New York Times bestselling author of First Blood (Rambo), on The Exorcist Legacy

“The power of Nat Segaloff’s research should compel fans to pick up a copy of the behind-the-scenes book.” —Entertainment Weekly on The Exorcist Legacy

“In his dutiful, soup-to-nuts book about the movie and its legacy, Segaloff, who was publicity director for a Boston theater chain where the movie showed during its original run, addresses the question of what made so many ‘Exorcist’ viewers throw up.” —The Los Angeles Times on The Exorcist Legacy

“This encyclopedic overview of the Exorcist franchise by film historian Segaloff (More Fire!) will satisfy even the most obsessive fans. A publicist on the original 1973 film directed by William Friedkin . . . the author’s love for the original film buoys this, and his insights into how Blatty’s ruminations on faith and the existence of God animate his book and screenplay shed new light on the story. The result is a competent celebration of a horror classic.” —Publishers Weekly on The Exorcist Legacy