Paradiso 17

“Paradiso 17 is suffused with tenderness. . . . Quiet and alert; it is a study in inheritance, in the afterlife of ideology, in the way history seeps into every curated idyll. The novel deepens its primary note, the toll of human displacement, until it has an operatic resonance. . . . Assadi’s prose is controlled, tensile and patient.” —The New York Times

“An intense, fearless, lyrical, and quite astonishing novel about the haunted apparitional life of a refugee.” —Joy Williams, author of The Pelican Child

“Paradiso 17 is remarkable. It’s a novel of unearthing, a story of quiet explosions, of memories lost and recovered. It’s urgent and necessary. Read it as an intimate family tale, as mythos, or as history—but read it, read it, read it.” —Rabih Alameddine, author of The True True Story of Raja the Gullible (and His Mother)

“Paradiso 17 is a searing portrait of exile, of a man reeling from home to home after the loss of Palestine. This poet’s novel is a true beauty, a tale of grief and also ultimate, otherworldly triumph and return.” —Hala Alyan, author of I’ll Tell You When I’m Home

“There is something miraculous about Paradiso 17, about the poetry that seems to guide every sentence of this exquisite novel. With stunning intimacy, Hannah Lillith Assadi has crafted an unforgettable story about the many stunted afterlives of hyphenated belonging. In this book live some of the most complex characters I’ve read in a long time, and a deeply nuanced exploration of exile as both event and inheritance.” —Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This

“Paradiso 17 took my breath away. I put the book down wondering how Assadi had managed to so elegantly capture the grand, devastating, mundane, and often beautiful sweep of a life shaped by dispossession and exile. Paradiso 17 puts in writing the intricate dance played by politics, place, and personality, and the result is a novel that is so rigorously tender to its flawed, wonderful protagonist, and so honest about the ways we move through the world that I wept at its ending. A beautiful testament to the power of recording a life through art.” —Lydia Kiesling, author of Mobility

“Assadi is a gorgeous writer, and here she unfurls a gripping story of a soul in exile. Paradiso 17 comes like a fugue, asking questions both timeless and heartbreakingly urgent.” —Justin Torres, author of Blackouts

“Paradiso 17 is a novel of wondrous care and meticulous precision. It works on scales both epic and intimate while guiding the reader on a journey they will not forget. Generations are captured here, loss and pain and miraculous attempt at renewal. A beautiful work.” —Nana Kwame Adjei-Brenyah, author of Chain Gang All-Stars

“I could not put down this sweeping narrative, written in some of the most transcendent prose I have read in a long time. Compassionate, elegiac and suffuse with unflinching wit, Paradiso 17 is a stunning testament to a people who will never abandon home, no matter how far they must travel in exile.” —Maaza Mengiste, author of The Shadow King

“Hannah Lillith Assadi has achieved something extraordinary and impossible. In under 300 pages, she unspools, with envious skill, an entire life. Paradiso 17 is a wondrous portrait of a man in exile, searching for home where his home is not. A miraculous novel.” —Kasim Ali, author of Who Will Remain

“Lyrical and gorgeously original—this novel reads as poetry.” —Lit Hub

“Beautifully crafted. . . . Assadi is a master of time and place.” —Vulture

“Told in poetic prose, Paradiso 17 asks what it means to truly belong.” —Harper’s Bazaar

“As a corrective to the fiction of moral convenience, read Assadi’s wistful and elegiac novel, brimming with contradictions and heartache yet rife with the unquenchable desire to find oneself safely at home, all the while recognizing that ‘a paradise without people in it is no paradise at all.'” —Alta