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Weavingshaw
Hardcover
$30.00
Available on Feb 24, 2026 | 464 Pages
In this debut gothic fantasy, a young woman who can see the dead strikes a deal with the magnetic and dangerous Saint of Silence, a purveyor of dark secrets, to save her brother’s life—the first book of a trilogy.
This gorgeous hardcover edition features an illustrated book case designed to simulate a leatherbound tome, as well as designed full-color endpapers and a deluxe jacket with foil.
“One part sumptuous Gothic mystery, another part all the yearning and coy wordplay of a Jane Austen novel . . . I adored every minute of Weavingshaw.”—Shannon Chakraborty, New York Times bestselling author of The Adventures of Amina al-Sirafi
A MOST ANTICIPATED BOOK OF FEBRUARY: The New York Times, The Washington Post, Lit Hub, Book Riot
Three years ago, Leena Al-Sayer awoke with a terrible power.
She can see the dead.
Since then, she has hidden herself away from the world, knowing that if she ever reveals her curse she will be locked up in an asylum.
When her beloved brother, Rami, falls fatally ill, Leena is faced with a terrible choice: Let him die or buy the expensive medicine that will save his life by bartering the only valuable thing she has—her secret.
The Saint of Silence, a ruthless merchant who trades in confessions and is shrouded in unearthly rumors of cruelty and power, accepts her bargain, for a deadly price. Leena must find the ghost of Percival Avon, the last lord of Weavingshaw—or lose her freedom to the Saint forever.
As Leena’s search takes her and the Saint to Weavingshaw, she finds the estate and the surrounding moors to be living things—hungry for blood and sacrifice. Fighting against Weavingshaw’s might, Leena must also fight her growing pull toward the enigmatic Saint himself, whose connection to Percival Avon remains a mystery.
As the house begins to entomb them, time is running out on their desperate hunt for answers.
For Leena has come to see that here in Weavingshaw, the dead are not hushed—and some secrets are better left buried with them.
This gorgeous hardcover edition features an illustrated book case designed to simulate a leatherbound tome, as well as designed full-color endpapers and a deluxe jacket with foil.
“One part sumptuous Gothic mystery, another part all the yearning and coy wordplay of a Jane Austen novel . . . I adored every minute of Weavingshaw.”—Shannon Chakraborty, New York Times bestselling author of The Adventures of Amina al-Sirafi
A MOST ANTICIPATED BOOK OF FEBRUARY: The New York Times, The Washington Post, Lit Hub, Book Riot
Three years ago, Leena Al-Sayer awoke with a terrible power.
She can see the dead.
Since then, she has hidden herself away from the world, knowing that if she ever reveals her curse she will be locked up in an asylum.
When her beloved brother, Rami, falls fatally ill, Leena is faced with a terrible choice: Let him die or buy the expensive medicine that will save his life by bartering the only valuable thing she has—her secret.
The Saint of Silence, a ruthless merchant who trades in confessions and is shrouded in unearthly rumors of cruelty and power, accepts her bargain, for a deadly price. Leena must find the ghost of Percival Avon, the last lord of Weavingshaw—or lose her freedom to the Saint forever.
As Leena’s search takes her and the Saint to Weavingshaw, she finds the estate and the surrounding moors to be living things—hungry for blood and sacrifice. Fighting against Weavingshaw’s might, Leena must also fight her growing pull toward the enigmatic Saint himself, whose connection to Percival Avon remains a mystery.
As the house begins to entomb them, time is running out on their desperate hunt for answers.
For Leena has come to see that here in Weavingshaw, the dead are not hushed—and some secrets are better left buried with them.
Author
Heba Al-Wasity
Heba Al-Wasity was inspired to write by her own experiences of being born an Iraqi refugee in Libya, growing up in Canada, and attending medical school in the UK. She has worked in emergency care and most recently in primary care, gaining firsthand insight into the ways that poverty and deprivation can lead to social inequalities. She currently lives with her husband near Manchester, England, just close enough to the moors to set her imagination alight.
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