How to Commit a Postcolonial Murder

A Most Anticipated Book of the Year from The New York Times, Vulture, Parade, The Millions, BookBrowse, Literary Hub, Kirkus, Alta, ShelfAwareness, The Culture Newspaper, Book and Film Globe, InformationToday, DNYUZ, and The Stylist

“I have been waiting for Nina McConigley’s debut novel for years and it’s even better than I could have imagined. How to Commit a Postcolonial Murder takes all the expected stories about growing up Indian American, slices them open with razor-sharp wit, and turns them inside out. A moving portrayal of sisterhood and a much-needed examination of how power is abused—over girls, over countries, over cultures—and the possibilities, and costs, of reclaiming that power.”
—Celeste Ng, New York Times bestselling author of Our Missing Hearts

“A fierce and marvelous book with an utterly unique, brightly burning lifeforce.”
—Maggie Shipstead, author of Great Circle

“Nina McConigley is a true original. With a wit so sharp that it makes you bleed as soon as it would make you laugh, she slices through the postcolonial dilemma with all of its complexities and absurdities. Heart-mending and heart-breaking—as only the truth can be.”
—Tayari Jones, New York Times bestselling author of An American Marriage

“Spirited and witty, stylish and audacious, How to Commit a Postcolonial Murder is gorgeously in possession of itself. Its avid curiosity about the world, its alertness to history, and its enormously fun storytelling—with a twist at the end—held me in their spell.”
—Megha Majumdar, New York Times bestselling author of A Burning

“A playfully experimental novel detailing how two out-of-place half-Indian sisters, Georgette Ayyar and Agatha Krishna Creel, living in mid-’80s Wyoming decide to poison their sexually abusive uncle. But the tone of the book is lighter than it sounds. McConigley slowly unravels its central promise—or threat—with patience and a dedication to scene-setting, carefully undercutting its lightness and humor with the macabre as she goes.”
—Vulture

“A delightful read. McConigley’s prose is sublime, and her storytelling is equally imaginative.”
—Foreign Policy

“A witty and ultimately profound tale.”
—The Millions

“Tender, defiant, and formally daring, Nina McConigley’s stunning debut novel How to Commit a Postcolonial Murder is ‘not the expected brown person story’ but rather a tale of sisterhood and survival, a child’s yearning for safety and protection, and the search for wholeness in a world that wants to split you in half. I fell in love with McConigley’s fierce, wry narrator Georgie Ayyar from the first page and couldn’t stop reading. A powerful, groundbreaking book.”
—Jessamine Chan, author of The School for Good Mothers

“Though framed like a funny, ferociously allusive grown-up version of a YA whodunit, McConigley’s debut novel carries deeper, knottier mysteries than the curious crime at its center. Wittily observant and achingly tender.”
—Kirkus, starred review

“Part thriller, part coming-of-age, part magazine quiz, Nina McConigley’s inventive and captivating How to Commit a Postcolonial Murder boldly examines the often hidden and scary parts of childhood. Full of heart and soul, this is a knockout work that deftly tackles the complex bonds of friendship and family—offering up compelling questions for our notions of what it means to truly love.”
—Aimee Nezhukumatathil, author of World of Wonders

“This compulsive literary thriller uncovers a long-standing familial and historical collective violence, delivered with an incredible satisfying twist. Nina McConigley is daring and incredibly witty in her debut novel.”
—The Culture Newspaper

“McConigley’s [How to Commit a Postcolonial Murder] is caustic in its observation of American more, and laced with wit and compassion.”
—Financial Times

“McConigley’s nervy debut. . . . [takes] unexpected turn[s].”
—Alta

“Praised for her ‘razor-sharp wit,’ McConigley takes a story about what it means to be Indian American and flips it on its head, dealing with issues of British colonialism, generational abuse, and life out West during the 1980s.”
—Story Exchange

“Set in the late 1980s and exploring the impacts of colonization and immigration, this fierce portrait of sisterhood is ultimately a life-affirming tale.”
—Real Simple

“Witty and ultimately profound…McConigley blends the macabre material with clever stylistic devices…This thrilling bildungsroman is perfect for fans of Celeste Ng.”
—Publishers Weekly, starred review

“Refreshing…In addition to describing growing up Indian American in 1980s Wyoming, McConigley’s debut novel artfully shares universalizing details of Georgie’s and Agatha’s everyday lives, like cheerleading and watching TV…McConigley’s impactful work will linger. Interspersed with details of the U.S. in the late 20th century, this is a book for all collections.”
—Library Journal, starred review