Ayn Rand and the World She Made

“Splendid. . . . A cleanly and compellingly written biography of one of the strangest, most controversial and most widely read writers of the 20th century.” —San Francisco Chronicle

“A thoughtful, flesh-and-blood portrait of an extremely complicated and self-contradictory woman, coupling this character study with literary analysis and plumbing the quirkier depths of Rand’s prodigious imagination.” —The New York Times

“Heller does a remarkable job with a subject who was almost cripplingly complex—a real woman starring in her own propaganda film.” —New York magazine
 
“[An] outstanding biography that reveals much about a figure who to this point has been chronicled only by biased disciples.” —Washington Monthly 
 
“Dramatic and very timely.” —The New York Times Book Review
 
“Offer[s] ammunition for fans and skeptics alike.” —The Washington Post
 
“A thoroughly researched, immensely readable portrait of a sui generis thinker who was fiercely committed to her ideals yet whose life contained fascinating contradictions.” —The Wall Street Journal’s Speakeasy
 
“The champion of individuality who insisted on obedience and conformity from her followers (including Alan Greenspan), Rand emerges from Heller’s superbly vivid, enlightening, and affecting biography in all her paradoxical power.” —Booklist (starred review)
 
“Engrossing and unsparing, an excellent introductory course on Rand written with a shrewd eye.” —New York Post
 
“The exploits of Ayn Rand—the Sarah Palin of philosophical fiction—are made more gripping by Anne Heller’s refusal to treat her subject as a joke and to accept her as the force she remains in politics (tea partiers) and to each successive generation of selfish undergrads.” —Brad Gooch, author of Flannery: A Life of Flannery O’Connor and frequent contributor to The Daily Beast
 
“A comprehensive study, in novelistic detail, of Rand’s personal life.” —Time

“One imagines that Rand would have approved of much of what Heller has written: the balanced tone of her book, its reasonableness, its respect for what a struggling Russian refugee accomplished and achieved. And yet having finished the biography, one can almost hear the impossible Rand railing against Heller’s failure to award her the place she always believed she deserved in the pantheon of the most glorious, solitary, and self-made literary giants.” —Bookforum
 
“A thorough recounting of [Rand’s] life and the forces that shaped her philosophy. . . . Fascinating.” —Dallas Morning News
 
“Provides important and meaningful insight into the evolution of Rand’s world view.” —Newsweek
 
“[A] work of historical scholarship that seek[s] to illuminate Rand’s complexities rather than simply to support or condemn her.” —Harper’s Magazine
 
“Heller takes a dispassionate view of Rand and, in this detailed portrait, seeks to reveal her as a whole person rather than the cardboard cutout swathed in legend created by the great lady herself.” —Bookreporter.com
 
“Skillful. . . . [A] detailed and engaging portrait of Rand’s interior life.” —The New Republic
 
“The picture of Rand that emerges from Ms. Heller’s book is all the more damning because the biographer is obviously fair-minded and, indeed, something of an admirer of her subject.” —The New Criterion
 
“Worthwhile and engrossing.” —City-Journal
 
“[An] excellent biography. . . . A vivid yet objective portrait of this gifted, brilliant, ultimately monstrous author. . . . Brings to life not only Rand but her circle and their milieu, making the book readable if only for its glimpse into a not-so-distant past where serious literature was widely influential, the television new, the railroad a common mode of travel. It’s strangely quaint to read about a world without computers or cell telephones, a world where typists were a must and people wore hats as a matter of course. Even more extraordinary is [Heller’s] rendition of this wildly divided woman, who could create some of our most unique literature yet remain unable to make that most fundamental of connections: unconditional love for another.” —PopMatters.com