“Kyle Devine understands that the connection between the climate and the material aspects of music goes beyond making LPs from potatoes (rumored) or the environmental impact of streaming (true, varied). Especially within circles of musicians, the social architecture or music-making is deeply under-discussed. Recomposed puts class at the center of the climate discussion, when it is sorely needed.”
—Sasha Frere-Jones
“Recomposed ultimately succeeds because it refuses to treat music as politically innocent or materially immaterial. Even its most idealistic forms remain entangled in systems of labour, consumption, infrastructure, and profit. Whether or not one shares Devine’s political conclusions, the book persuasively argues that music’s environmental impact cannot be separated from the economic structures that make modern music culture possible.”
—PopMatters