LET'S GO LET'S GO LET'S GO

Qian illuminates the lives of young Asian and Asian American women in a modern, globalized, hyper-digital world where the pressure to settle down persists.—The New York Times Book Review

Hypnotic.—TIME, a Best Book of Summer

Bold and affecting. . . . explores aging, desire, cultural identity, and queer love among Asian girls and women. Qian depicts with honesty and compassion her protagonists’ complex inner lives. . . .  Necessary and poignant.—Publishers Weekly, Starred Review

Lovely. . . . Luminously written. . . . Reveals startling and subtle truths.—Kirkus Reviews

Eerie but compassionate. . . . Wildly imaginative yet unnervingly real, Let’s Go Let’s Go Let’s Go fronts the anxieties and lonesomeness of twenty-first century Asian women.—Electric Literature, A Best Debut Short Story Collection of 2023

Perceptive. . . . [an] astute debut collection populated by disconnected young women in flux.—Booklist

Juicy, unsettling.—NYLON, A Best Book of August

Surreal and enchanting. . . . Everyone who has doom-scrolled should read this.—Debutiful, a Best Book of August

Includes a supernatural karaoke machine, uncanny social experiments, dating sims, and a teen with unsettling visions after double eyelid surgery. I’m struggling to focus on anything else until I’m able to finish this startling, precise, and viscerally true book.—Powell’s, A Most Anticipated Book of 2023

An all-caps title, you say? I’m intrigued. I’ll also be honest: the publisher’s description of Cleo Qian’s LET’S GO LET’S GO LET’S GO had my interest piqued the moment I saw the phrase “supernatural karaoke machine.” I will die on the hill that weird and speculative fiction would benefit from the addition of more karaoke — and I’m glad this book is adding to that milieu. —Tor.com

Tales of dating simulations, post-surgery visions, a supernatural karaoke machine, and more.—Gizmodo, Best Science Fiction Books of August

Queering stereotypes of Asian American women and questioning our dependence on tech, these stories complicate consumerism, capitalism, duty and desire.—Ms. Magazine, A Best Book of August

A multifaceted collection that is beautifully paced and deeply introspective.—Chicago Review of Books

Surprising surreal elements and vivid prose reminiscent of a well-crafted Japanese Manga comic.—Full Stop

Invigorating and surreal, exploring the alienated, technology-mediated lives of contemporary Asian and Asian American women. . . . Qian’s characters refuse stereotypes, instead questioning conventions and rebelling against consumer culture, the pressures of modern society and more.—Purewow, A Best Book of August

These stories shatter stereotypes and awaken vibrant, queer conversation through a glaring critique of our screen-filled society.—She Reads

Vibrant and gritty and saturated with details.—Flaunt

Powerful.—Chicago Reader

Precise imagery and a voice both sharply observant and yearning.—Poets & Writers

One of the strongest story collections I have read in years, a book that astounds with both its subtlety and complexity.—Largehearted Boy, A Best Story Collection of 2023

Qian has given a voice to an entire generation of twentysomethings who are just as confused and stressed out as her protagonists are.—Foglifter

An unnerving yet sanguine portrayal of finding connection in a detached world. . . . a frank yet earnest and sincere portrayal of humanity in our technological era.—Cleaver Magazine

LET’S GO LET’S GO LET’S GO is sharp and unprecious about the sticky aspects of having flesh. This collection is riddled with outsiders of different shades, of people who stand back from their realities with secret and burning questions. There are really tender portraits of yearning, of the unsteady but precious entanglements of both platonic and romantic love. It’s careful and soberly rendered, and it was a pleasure to read. —Raven Leilani, author of Luster

In LET’S GO LET’S GO LET’S GO, Qian devastates like the best photographs from our youth, making us long for what’s lost while never losing sight of what is necessary for survival. The stories remind you that what you observe is already gone, and make you want to pay closer attention to what is already passing into memory. —Kyle Dillon Hertz, author of The Lookback Window

Perfectly askew, the stories in LET’S GO LET’S GO LET’S GO thrum with restless questioning and acute longing, shot through with tart, knowing observations. It seemed to vibrate in my hands as I read it. —Ling Ma, author of Bliss Montage

Mischievous and hypnotizing, LET’S GO LET’S GO LET’S GO takes us to manifold narrative realms where stories self-proliferate and artificial simulations often hijack and replace reality. Formally complex and emotionally potent, this is a collection I’ll return to again and again. —Yan Ge, author of Strange Beasts of China

Cleo Qian’s LET’S GO LET’S GO LET’S GO is an uncanny Asian American fantasia where fringe artist collectives, melancholy K-pop stars, anxious piano prodigies, disembodied digital ghosts, and lovelorn alchemists converge. Deeply psychological, these stories confront the bizarre horrors of modern life, finding surprising beauty and supernatural catharsis. I’ll be thinking about these characters for a long, long time.

—Jean Chen Ho, author of Fiona and Jane