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Published on Oct 13, 2009 | 208 Pages
A poetry collection honoring the haiku—complete with poet biographies, translator commentary, and Japanese artwork
This celebration of what is perhaps the most influential of all poetic forms takes haiku back to its Japanese roots. Beginning with poems by the seventeenth and eighteenth-century masters Basho, Busson, and Issa, the anthology goes all the way up to the late twentieth century to provide a survey of haiku through the centuries, in all its minimalist glory.
The translators have balanced faithfulness to the Japanese with an appreciation of the unique spirit of each poem to create English versions that evoke the joy and wonder of the originals with the same astonishing economy of language. An introduction by the translators and short biographies of the poets are included. Reproductions of woodblock prints and paintings accompany the poems.
This celebration of what is perhaps the most influential of all poetic forms takes haiku back to its Japanese roots. Beginning with poems by the seventeenth and eighteenth-century masters Basho, Busson, and Issa, the anthology goes all the way up to the late twentieth century to provide a survey of haiku through the centuries, in all its minimalist glory.
The translators have balanced faithfulness to the Japanese with an appreciation of the unique spirit of each poem to create English versions that evoke the joy and wonder of the originals with the same astonishing economy of language. An introduction by the translators and short biographies of the poets are included. Reproductions of woodblock prints and paintings accompany the poems.
Author
Stephen Addiss
Stephen Addiss, PhD, is Professor of Art at the University of Richmond in Virginia. A scholar-artist, he has exhibited his ink paintings and calligraphy in Asia, Europe, and the United States. He is also the author or coauthor of more than thirty books and catalogues about East Asian arts, including The Sound of One Hand: The Paintings and Calligraphy of Zen Master Hakuin.
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