From adventure to sci-fi to fantasy, this year’s San Diego Comic-Con hosted an array of creators excited to discuss their new and upcoming books. Featuring authors such as Pierce Brown, Leigh Bardugo, Erin Morgenstern, and Delilah S. Dawson, this year’s panels offered the inside scoop on what’s new with the books you love.
Check out the links below to watch as creators talk about publishing for graphic novels, the exciting lineup of new books from Del Rey, and go behind-the-scenes on how a Star Wars audiobook is made.
To watch our playlist of even more great panels, click here.
The fascinating tale of a fictional ‘70s rock band is chronicled inDaisy Jones & The Six, Taylor Jenkins Reid‘s riveting new novel written as an oral history – a literary roller-coaster ride marked by sex, drugs and rock & roll, with fly-on-the-wall glimpses of life in the recording studio, on the road and backstage. #1 on the March Indie Next list and the Penguin Random House Spring Title Wave pick, this Ballantine book has already earned many fans, including actress Reese Witherspoon, who raved, “I devoured Daisy Jones & The Six in a day, falling head over heels for it. Taylor Jenkins Reid transported me into the magic of the ’70s music scene in a way I’ll never forget. The characters are beautifully layered and complex. Daisy and the band captured my heart, and they’re sure to capture yours, too.”
Daisy Jones is a young woman coming of age in L.A. in the late ‘60s, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. By the time she’s twenty, her voice is getting noticed. Also getting noticed is The Six, a band led by Billy Dunne. On the eve of their first tour, his girlfriend finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to success is to put the two together.
Jennifer Hershey, SVP, Editor in Chief, Associate Publisher, Ballantine Bantam Dell, pulls back the curtain, offering glimpses into this book’s creation and special magic. Hershey shares her impressions of Taylor Jenkins Reid’s unique writing style, the book’s “oral history” format, and why DAISY JONES readers will be inspired to revisit their favorite ‘70s rock albums.How did you discover Taylor Jenkins Reid and what were your initial impressions of her writing voice?
To say that I “discovered” Taylor would be a little like saying that Columbus “discovered” America! Before I had the huge pleasure of making the acquaintance of Daisy Jones, Taylor had written five terrific novels and won herself a devoted following. I loved the book right away—and read it in one sitting; it has a very addictive quality. I was struck by the freshness of the milieu and conceit of the book—a bit like the movie Almost Famous or A Star is Born, but the first time I’d seen that in book form—and the “as told to” narrative structure for a novel was so distinctive.
How would you describe the editor/author process as this manuscript became a book and why do you think the “oral history” structure works so well?
The novel was already in great shape when I acquired it, so we just had fun fine-tuning and tightening. We talked a lot about how to make the voices feel convincingly as if they had been spoken aloud, without going too far down that road. Taylor has said that the “oral history” format forced her to up her game as a writer, because everything she wanted to convey had to be done completely through the voices of the characters. I particularly love the way various characters remember the same event differently, and contradict each other in the telling.
What aspects of DAISY JONES & THE SIX do you feel will resonate most strongly with readers?
There is so much here: not just one, but two great love stories, a lot of ’70s and classic rock nostalgia (I guarantee you’ll pull out Fleetwood Mac’s Rumors for a fresh listen when you are done!), and some great moments for the feminists in all of us. Reading the novel makes you feel like you are just hanging out backstage with your favorite band. It’s just such a fun and fresh read—the kind of novel that, despite its layers, almost reads itself to you, it is so effortless.
It is with sadness that we share that prolific military fiction author William E. Butterworth III, known the world over as W.E.B. Griffin, died on Tuesday, February 12. He was 89.
William E. Butterworth III was the #1 bestselling author of over 250 books, the majority of them published by G. P. Putnam’s Sons, with over 50 million copies in print in more than ten languages, including Hebrew, Chinese, Japanese, and Hungarian. As W.E.B. Griffin, he was the author of 61 epic novels in seven series: The Corps,Brotherhood of War, Badge of Honor, Men at War, Honor Bound, Presidential Agent, andClandestine Operations. Known for his historical accuracy, richly drawn characters, thrilling adventure, crackling wit, and astute aptitude for the heart and mind of a military hero, Griffin delighted readers for decades with his electrifying novels about the military, police, spies, and counterspies. Under other pseudonyms, he wrote over 100 other books, both for adults and children, including twelve of the thirteen M*A*S*H novels.
He has been praised as “a writer of true virtuosity and talent” (Fort Worth Star-Telegram), “a truly impressive storyteller” (Midwest Book Review), and “unrivaled” in the realm of military fiction (Ralph Peters, author of Cain at Gettysburg and Lines of Fire). “If God is truly in the details, then Griffin must be the pop of police procedurals,” wrote Publishers Weekly. As The Philadelphia Inquirer put it simply, “Griffin has the knack.”
His passion for writing about the military and other branches of law enforcement carried him through his distinguished career. “Nothing honors me more than a serviceman, veteran, or cop telling me he enjoys reading my books,” he said.
W.E.B. Griffin grew up in the suburbs of New York City and Philadelphia. He began an illustrious military career in 1946, when he enlisted in the United States Army. After basic training, he received counterintelligence training at Fort Holabird, Maryland. He was assigned to the Army of Occupation in Germany and ultimately to the staff of then-Major General I.D. White, Commander of the U.S. Constabulary. In 1951, Griffin was recalled to active duty for the Korean War, interrupting his education at the Philipps University of Marburg an der Lahn, Germany.
Among his many awards for service, Griffin was the recipient of the 1991 Brigadier General Robert L. Dening Memorial Distinguished Service Award of the U.S. Marine Corps and the 1999 Veterans of Foreign Wars News Media Award, which was presented at the 100th National Convention in Kansas City. He has been vested into the Order of St. George of the U.S. Armor Association and the Order of St. Andrew of the U.S. Army Aviation Association.
A longtime resident of both Alabama’s Gulf Coast and Buenos Aires, Argentina, Griffin is survived by his four children, including son Bill Butterworth IV, his co-writer on 21 novels.
Mary Oliver, beloved poet and bard of the natural world, died on January 17 at home in Hobe Sound, Florida. She was 83.
Oliver published her first book, No Voyage, in London in 1963, at the age of twenty-eight. The author of more than 20 collections, she was cherished by readers, and was the recipient of numerous awards, including the 1984 Pulitzer Prize for American Primitive, and the 1992 National Book Award for New and Selected Poems, Volume One. She led workshops and held residencies at various colleges and universities, including Bennington College, where she held the Catharine Osgood Foster Chair for Distinguished Teaching until 2001. It was her work as an educator that encouraged her to write the guide to verse, A Poetry Handbook (1994), and she went on to publish many works of prose, including the New York Times bestselling essay collection, Upstream (2016). For her final work, Oliver created a personal lifetime collection, selecting poems from throughout her more than fifty-year career. Devotions was published by Penguin Press in 2017.
Her poetry developed in close communion with the landscapes she knew best, the rivers and creeks of her native Ohio, and, after 1964, the ponds, beech forests, and coastline of her chosen hometown, Provincetown. She spent her final years in Florida, a relocation that brought with it the appearance of mangroves. “I could not be a poet without the natural world,” she wrote. “Someone else could. But not me. For me the door to the woods is the door to the temple.” In the words of the late Lucille Clifton, “She uses the natural world to illuminate the whole world.”
In her attention to the smallest of creatures, and the most fleeting of moments, Oliver’s work reveals the human experience at its most expansive and eternal. She lived poetry as a faith and her singular, clear-eyed understanding of verse’s vitality of purpose began in childhood, and continued all her life. “For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.”
When Death Comes
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox;
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
To kick off the season of giving while also celebrating National Family Literacy Month in November, zulily, the online retailer obsessed with bringing special finds to its customers every day, is teaming up with Penguin Random House to help provide books to children in need across the U.S.
Zulily is leading its third annual holiday giving campaign, launched November 1 and planned through December 12, 2018. Special sales events during the campaign will feature a curated selection of children’s books and each Penguin Random House book purchased labeled with the “BUY 1, GIVE 1” badge will trigger a new children’s book donation, up to 100,000 books, from Penguin Random House to First Book, a nonprofit social enterprise that provides new books and other essentials to children in need nationwide.
Visit here for full campaign details.
Amazon.com announced its selections for the Best Books of 2018, naming Tara Westover’s Educated(Random House) the #1 pick for best book of 2018 and Kekla Magoon’s The Season of Styx Malone(Wendy Lamb Books) the editor’s pick for best book in the children’s category.
Amazon’s annual list features the Top 100 books of the year plus Top 20 lists across various categories ranging from biography, literary fiction, and mystery to children’s and young adult. All lists are hand-selected by Amazon’s team of editors—first by choosing the best books of every month and then, finally, the best books of the year. To see the full lists of Amazon’s Best Books of 2018, click here.
The Amazon Editorial Team’s Top 10 Picks of 2018 list also includes Esi Edugyan’s Washington Black(Knopf), Francisco Cantú’s The Line Becomes a River (Riverhead), and Tommy Orange’s There There (Knopf).
See the winners below:
We are excited to announce that Penguin Random House has become the first book publisher to sign onto the Renewable Energy Buyers’ Principles, part of the Renewable Energy Buyers Alliance (REBA), which informs utilities and other suppliers what industry-leading, multinational companies are looking for when buying renewable energy from the grid. The program, which is supported by the World Wildlife Foundation (WWF), launched in July of 2014 with just 12 signatories. Penguin Random House is now the 78th company to sign.
Through our paper certification process, LED lighting program, and energy offset programs, among other programs, Penguin Random House continues to improve and implement “green” practices across our operations. Since 2014, we have already reduced our carbon emissions by 10%, and we remain committed to reducing carbon emissions by 10% by 2020 and 20% by 2025 through improvements to our company’s infrastructure and energy-saving capacity.
The 2019 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction Longlist has been announced and includes 20 books published by Penguin Random House imprints. Established by the American Library Association in 2012, the Carnegie Medals for Excellence serve as an ALA guide to help adults select quality reading material.
Our longlisted nonfiction titles:
Our longlisted fiction titles:
View the complete longlist here.
The 2019 Carnegie Medals for Excellence six-title shortlist—three each for the fiction and nonfiction medals—will be announced on October 24.
The two medal winners will be revealed at the Reference and User Services Association’s Book and Media Awards (BMAs) event at American Library Association (ALA) Midwinter Meeting in Seattle on January 27, 2019.
The wait is over! The much anticipated new novel, Bridge of Clay, from Markus Zusak, author of The Book Thief, lands on October 9, 2018. Celebrate the launch of the novel Jodi Picoult says “blew her away,” and meet Markus on his tour October 9-27. See his full schedule listed here.
Haven’t pre-orderedBridge of Clay? There’s still time!