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Library of America Noir Collection

Found in Crime Mysteries
Crime Novels: American Noir of the 1930s & 40s (LOA #94) by Robert Polito
Crime Novels: American Noir of the 1950s (LOA #95) by Robert Polito
David Goodis: Five Noir Novels of the 1940s & 50s (LOA #225) by Robert Polito

Library of America Noir Collection : Titles in Order

Book 3
In 1997 The Library of America’s Crime Novels: American Noir gathered, in two volumes, eleven classic works of the 1930s, 40s, and 50s–among them David Goodis’s moody and intensely lyrical masterpiece Down There, adapted by François Truffaut for his 1960 film Shoot the Piano Player. Now, The Library of America and editor Robert Polito team up again to celebrate the full scope of Goodis’s signature style with this landmark volume collecting five great novels from the height of his career. Goodis (1917-1967) was a Philadelphia- born pulp expressionist who brought a jazzy style to his spare, passionate novels of mean streets and doomed protagonists: an innocent man railroaded for his wife’s murder (Dark Passage); an artist whose life turns nightmarish because of a cache of stolen money (Nightfall); a dockworker seeking to comprehend his sister’s brutal death (The Moon in the Gutter); a petty criminal derailed by irresistible passion (The Burglar); and a famous crooner scarred by violence and descending into dereliction (Street of No Return). Long a cult favorite, Goodis now takes his place alongside Raymond Chandler and Dashiell Hammett in the pantheon of classic American crime writers.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Book 2
This adventurous two-volume collection presents a rich vein of modern American writing too often neglected in mainstream literary histories. Evolving out of the terse and violent hardboiled style of the pulp magazines, noir fiction expanded over the decades into a varied and innovative body of writing. Tapping deep roots in the American literary imagination, the novels in this volume explore themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life. The raw power of their vernacular style has profoundly influenced contemporary American culture and writing.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Book 1
“The most important collection of crime fiction ever published in the United States.” — Ed Gorman

Evolving out of the terse and violent style of the pulp magazines, noir fiction expanded over the decades into a varied, innovative and profoundly influential body of writing. The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.

James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.

Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.

In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.

The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.

William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.

I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.

Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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