An Inspector Montalbano Mystery Series

The long-awaited last novel in the transporting and beloved New York Times bestselling Inspector Montalbano series

“At eighty, I foresaw Montalbano’s departure from the scene, I got the idea and I didn’t let it slip away. So I found myself writing this novel which is the final chapter; the last book in the series. And I sent it to my publisher saying to keep it in a drawer and to publish it only when I am gone.” –Andrea Camilleri
 
Montalbano receives an early-morning phone call, but this time it’s not Catarella announcing a murder, but a man called Riccardino who’s dialed a wrong number and asks him when he’ll be arriving at the meeting. Montalbano, in irritation, says: “In ten minutes.” Shortly after, he gets another call, this one announcing the customary murder. A man has been shot and killed outside a bar in front of his three friends. It turns out to be the same man who called him.
 
Thus begins an intricate investigation further complicated by phone calls from “the Author” in tour de force of metafiction and Montalbano’s last case.
 

The new novel in the transporting New York Times bestselling Inspector Montalbano mystery series

Two deaths, the suicide a newly laid-off worker and an unscrupulous businessman found murdered, leads Inspector Montalbano to inspect the Halcyon, a nearly abandoned mysterious ship with no passengers.

In the new novel in the transporting New York Times bestselling Inspector Montalbano mystery series, Montalbano finds his answers to a murder in a theatrical play

Mimi Augello is visiting his lover when the woman’s husband unexpectedly returns to the apartment; he climbs out the window and into the downstairs apartment, but one danger leads to another. In the dark he sees a body lying on the bed. Shortly after, another body is found, and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors.

Are the two deaths connected? Catalanotti scrupulously kept notes and comments on all the actors he worked with, as well as strange notebooks full of figures and dates and names. Inspector Montalbano finds all of Catalanotti’s dossiers and plays, the notes on the characters, and the notes on his last drama, Dangerous Turn–the theater is where he’ll find the answer.

The new novel in the transporting New York Times bestselling Inspector Montalbano mystery series

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigata in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963, always on the same day, March 27 and always the same shot; the outside wall of a country house. Montalbano hears the story, and intrigued by the mystery of it, begins to investigate its meaning. Meanwhile, a middle school is threatened by a group of armed men, and a closer look at the situation finds Montalbano looking into the students themselves and finally delving into the world of social media.

“Wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction… altogether transporting.”–A.J. Finn, #1 New York Times bestselling author

A WASHINGTON POST BEST MYSTERY OF 2019
A BEST BOOK OF 2019, NPR’s Book Concierge

A wave of refugees has arrived on the Sicilian coast, and Inspector Montalbano and his team have been stationed at port, alongside countless volunteers, to receive and assist the newcomers. Meanwhile, Livia has promised their presence at a friend’s wedding, and the inspector, agreeing to get a new suit tailored, meets the charming master seamstress Elena Biasini. But while on duty at the dock one late night, tragedy strikes, and a woman is found gruesomely murdered. Between managing the growing crowds at the landing, Montalbano delves into the world of garments, in the company of an orphaned cat, where he works to weave together the loose threads of the unsolved crimes and close the case.

“[Camilleri’s mysteries] offer quirky characters, crisp dialogue, bright storytelling—and Salvo Montalbano… a delightful creation, an honest man on Sicily’s mean streets.” —USA Today

The day gets off to a bad start for Montalbano: while trying to break up a fight on Marinella beach, he hits the wrong man and is stopped by the Carabinieri. When he finally gets to the office, the inspector learns about a strange abduction: a woman was abducted, drugged, and then released unharmed only hours later. Within a few days, the same thing happens again. Both women are thirty years old and work in a bank. 

Montalbano also has to deal with an arson case. A shop has burned down, and its owner, Marcello Di Carlo, seems to have vanished into thin air. At first this seems like a trivial case, but a third abduction—yet again of a girl who works in a bank—and the discovery of a body bring up new questions.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen…transporting. Long live Camilleri, and long live Montalbano.”
—A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

Inspector Montalbano uncovers corruption and mafia ties in the world of construction and contracts
                  
On a gloomy morning in Vigàta, a call from Fazio rouses Inspector Montalbano from a nightmare. A man called Giugiù Nicotra has been found dead in the skeletal workings of a construction site, a place now entombed by a sea of mud from recent days of rain and floods. Shot in the back, he had fled into a water supply system tunnel. The investigation gets off to a slow start, but all the evidence points to the world of construction and public contracts, a world just as slimy and impenetrable as mud.

As he wades through a world in which construction firms and public officials thrive, Montalbano is obsessed by one thought: that by going to die in the tunnel, Nicotra had been trying to communicate something.

“The novels of Andrea Camilleri breathe out the sense of place, the sense of humor, and the sense of despair that fills the air of Sicily.” —Donna Leon 

Montalbano investigates the death of wealthy accountant Barletta in a case involving a string of mistresses and family secrets.

Inspector Montalbano enjoys simple pleasures: delicious food, walks along the water, the occasional smoke—yet these are just the backdrop to his duties as a detective.

His latest case is the killing of the wealthy Cosimo Barletta. Thought to be a widower living out a quiet life by the sea, Cosimo’s sudden death, by gunshot to the neck, opens up his past to scrutiny. What Montalbano uncovers is Cosimo’s trove of salacious photographs, used to extort young women, and a history full of greed and corruption. Montalbano, though resolved to find the killer, muses on where justice lies—in his pursuit of a suspect or with one of Cosimo’s innumerable victims getting the revenge they deserved?

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

Montalbano investigates a robbery at a supermarket, a standard case that takes a spin when manager Guido Borsellino is later found hanging in his office. Was it a suicide? The inspector and the coroner have their doubts, and further investigation leads to the director of a powerful local company.

Meanwhile, a girl is found brutally murdered in Giovanni Strangio’s apartment—Giovanni has a flawless alibi, and it’s no coincidence that Michele Strangio, president of the province, is his father. Weaving together these two crimes, Montalbano realizes that he’s in a difficult spot where political power is enmeshed with the mafia underworld.
 

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

“In Sicily, where people do things as they please, Inspector Salvo Montalbano is a bona fide folk hero.”—The New York Times Book Review
 
When Inspector Montalbano falls under the charms of beautiful gallery owner Marian, his longtime relationship with Livia comes under threat. Meanwhile, he is also troubled by a strange dream as three crimes demand his attention: the assault and robbery of a wealthy merchant’s young wife, shady art deals, and a search for arms traffickers that leads him deep into the countryside, where the investigation takes a tragic turn.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen…transporting. Long live Camilleri, and long live Montalbano.”
—A.J. Finn, #1 New York Times bestselling author of The Woman in the Window 

Andrea Camilleri’s Inspector Montalbano novels have become an international sensation, with fans eagerly awaiting each new installment.

In Game of Mirrors, Inspector Montalbano and his colleagues are stumped when two bombs explode outside empty warehouses—one of which is connected to a big-time drug dealer. Meanwhile, the alluring Liliana Lombardo is trying to seduce the Inspector over red wine and arancini. Between pesky reporters, amorous trysts, and cocaine kingpins, Montalbano feels as if he’s being manipulated on all fronts. That is, until the inspector himself becomes the prime suspect in an unspeakably brutal crime.

“The novels of Andrea Camilleri breathe out the sense of place, the sense of humor, and the sense of despair that fills the air of Sicily.” —Donna Leon 

A rash of burglaries has got Salvo Montalbano stumped. The patterns of the crimes are so similar and so brazen that Montalbano begins to think a criminal mastermind is challenging him. This suspicion is confirmed when he starts receiving menacing letters from the gang leader, the anonymous Mr. Z. 

Among those burgled is the young and beautiful Angelica Cosulich, who reminds Montalbano of the love interest in Ludovico Ariosto’s chivalric romance, Orlando Furioso. Taken by Angelica’s charms, he imagines himself back in the medieval world of jousts and battles. But when one of the burglars turns up dead, Montalbano must snap out of his haze and unmask his challenger.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

A hail of bullets interrupts a period of dead calm. An elderly brother and sister open fire on the plaza below their apartment, punishing the people of Vigàta for their sins. News cameras capture Montalbano—gun in hand—as he scales the building to capture the ancient snipers. Inside he finds a nightmarish world of religious objects and a well-worn inflatable sex doll that will come back to haunt him. The Inspector is hailed as a hero after the televised adventure and calm returns. But Montalbano begins to receive cryptic messages in verse, challenging him to go on a “treasure hunt.” Intrigued, he accepts, treating the messages as amusing riddles—until they take a dangerous turn.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

With Inspector Montalbano’s most recent outings hitting the New York Times bestseller list, Andrea Camilleri’s darkly refined Italian mysteries have become favorites of American crime novel fans. This latest installment finds Montalbano in search of his missing right-hand man.Before leaving for vacation with Livia, Montalbano witnesses a seagull doing an odd dance on the beach outside his home, when the bird suddenly drops dead. Stopping in at his office for a quick check before heading off, he notices that Fazio is nowhere to be found and soon learns that he was last seen on the docks, secretly working on a case. Montalbano sets out to find him and discovers that the seagull’s dance of death may provide the key to understanding a macabre world of sadism, extortion, and murder.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen…transporting. Long live Camilleri, and long live Montalbano.”
—A.J. Finn, #1 New York Times bestselling author of The Woman in the WindowThe day after a storm floods Vigàta, Inspector Montalbano encounters a strange, bedraggled woman who expresses interest in a certain yacht scheduled to dock that afternoon. Not long after she’s gone, the crew of the yacht reports having found a dinghy in the port, and within it, a disfigured corpse. Also at anchor is an eighty-five-foot luxury boat with a somewhat shady crew. Both boats will have to stay in Vigàta until the investigation is over—the unidentified man was poisoned, it seems. Based on the information—and misinformation—the mysterious woman shared with him, Montalbano begins to think the occupants of the yacht just might know a little more about the man’s death than they’re letting on.