Christine in online marketing is reading Ember in the Ashes by Sabaa Tahir. Find out more about the book here:
Lauren in Doubleday marketing is reading China Rich Girlfriend by Kevin Kwan. Find out more about the book here:
Jessica in Crown production is reading An Ember in the Ashes by Sabaa Tahir. Find out more about the book here:
Jen in Consumer Marketing is reading We Were Liars by E. Lockhart. Find out more about the book here:
We know readers tend to be writers too, so we feature writing tips from our authors. Who better to offer advice, insight, and inspiration than the authors you admire? They’ll answer several questions about their work, share their go-to techniques and more. Now, get writing! How would you recommend creating and getting to know your characters? I have a particular method that I have used for a very long time now. I call it the portal method. The first step is to think of at least three important events that have happened in your character’s past. They can be good or bad, but they have to be significant. These are the portals through which you look when you are planning a particular scene. For instance, in The Dark Days Club, my main character, Lady Helen, lost both her parents when she was ten. They drowned on a yachting trip and their bodies were never found. So out of that comes a whole slew of character traits and information, all based on what I imagine would be the psychological consequences of that event. For example, the loss makes Helen feel a sense of abandonment, it has made the idea of family very important to her, she does not like doubt, and she has grown up to be quite cautious. When it comes time to writing a scene that has a link to family – perhaps between Helen and her brother – then some of those traits would come into play. I focus the scene through that “Family/Loss” portal. It provides a base line from which to build the character’s responses, and because these are fixed events in the character’s life they provide cohesiveness to the overall characterization. After developing an idea, what is the first action you take when beginning to write? I always start by researching – many, many months of reading books about my era and searching out primary resources. As I’m doing that, I’m also creating a storyboard and scene breakdown of the plot. Then, when I get to a certain stage in that process, I start writing the first chapter to test out the voice and tone. I keep rewriting that first chapter until I have the voice and tone in place, and I have worked out most of the main plot points on the storyboard. Then off I go, writing the novel. However, that does not mean the research or the storyboarding stops; they continue throughout the whole writing process. There are always delicious new facts to discover and blend into the narrative, and, as I move forward through the manuscript, the interaction between character and plot can sometimes create shifts in the storyline that require a rethink of action sequences or scene placement. What’s the best piece of advice you have received? Every writer rewrites. The first thing that comes out of your mind may be good, but it is not finished. One of my bugbears is the notion that if something is going to be good, then it should arrive perfectly formed. That is absolute 19th century Romantic nonsense. That initial, wonderful rush of ideas is a great start, but the real work is in crafting all that excitement and energy into a meaningful emotional journey for the reader. Describe your writing style in 5 words or less. Fluid, suspenseful and slyly humorous. What are three or four books that influenced your writing, or had a profound affect on you?
- The Outsiders by S.E. Hinton. I was about thirteen and had been dragged along to a dinner party by my parents. While the adults ate prawn cocktails, beef stroganoff and talked politics, I took refuge in the living room to finish The Outsiders. I ended up sobbing my eyes out in my borrowed bean-bag, partly because of the sad ending but mainly due to the realization that a good deal of my devastation had been created by the terrible beauty of the book’s circular structure. That’s when I truly wanted to become a writer.
- These Old Shades by Georgette Heyer. Again, I was twelve or thirteen years old. My mother always gave me a book for Christmas and this one came at exactly the right moment—I was ready for well-researched history and dashing romance. I was besotted by the exciting blend of adventure, humor, and buttoned-up characters coming undone by love. This was the beginning of my love affair with the 18th and 19th centuries, which has now come into full bloom with The Dark Days Club!
- If On A Winters Night A Traveller by Italo Calvino. This was one of the texts I read in college. It is a postmodern masterpiece, and has everything you’d ever want to know about creating poignant relationship triangles in fiction, all explored in beautiful prose.
Sabaa Tahir wrote the popular new Young Adult novel, An Ember in the Ashes last year. On Word and Film, she shared some of her inspiration and background as a writer.
“I grew up feeling voiceless and powerless as a kid. I turned to books – fantasy books, in particular – to give me comfort. As I grew up I realized I could find that sense of power and voice if I simply started writing.”Read more about Sabaa here and listen to her fantastic interview on Beaks and Geeks!
We know readers tend to be writers too, so twice a month, we’ll feature writing tips from our authors. Who better to offer advice, insight, and inspiration than the authors you admire? They’ll answer several questions about their work, share their go-to techniques and more. Now, get writing! What writing techniques have you found most important or memorable? I don’t have any specific techniques I employ on a daily basis. But there are some tips I’ve found useful over the years. In particular, an article that Zadie Smith wrote back in 2010 is one I think every writer should emblazon on the inside of his/her brain. The entire list is here. My two favorite rules from it, No. 7 and No. 8, are:
- “Work on a computer that is disconnected from the internet.”
- “Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.”
- Don’t waste inordinate amounts of time polishing small sections of your writing. Figure out your story first. Polish later.
- Show your work to people. Recently, I fell into an old (bad) pattern. I’d written 50 pages of something and was certain it was horrible, but hadn’t actually shown pages to anyone. Don’t do that! Find trusted readers amongst writer friends, and get feedback.
- Don’t make excuses for yourself. You can waste years that way. If you find yourself repeatedly saying you haven’t written because you’re too tired/busy/blocked etc., then rethink how badly you want to be a writer.