Linda Homes, author of the new heartfelt novel Evvie Drake Starts Over, answered a few questions about her debut, romantic comedies, writing advice, and more! This book primarily takes place in a small fishing town in Maine. Why did you choose that location for the book’s setting? My family used to vacation in just the part of Maine where this story happens. It’s a place I really love, and a place where I haven’t seen a zillion books take place before. It’s very special to me, and every time I’ve been back as an adult, I’ve thought about setting a story in and around the towns that dot the coast. I finally found the right story, and because it relies so much on the comforting feeling that a hometown can have, it seemed just right to put it there. What are some of your favorite rom coms and did any serve as inspiration for the book? I love Sleepless in Seattle, no big surprise. I love While You Were Sleeping, which I saw an embarrassing number of times while it was in theaters (I was in law school at the time). The Amy Schumer/Bill Hader movie Trainwreck has a scene I really liked that involves his character being just very relaxed and straightforward about how he feels, and I realized later that it influenced some of the way I wrote this story. I’m old enough, I suppose, that I find plain talk wildly romantic. Speaking of rom coms, this book would make a great movie. Who would you cast as Evvie and Dean in the film adaptation? This question is so hard! I think there are people who are great at fantasy casting, and I am emphatically not one, but I will say that I have envisioned a Marvel-adjacent telling that would cast Brie Larson and Chris Evans. But I can honestly say I didn’t have anybody in mind, particularly. As a debut author, is there anything you wish you had known before you started writing this book? Do you have any advice to share with other first-time authors? I didn’t know how much I would have to just keep going at times when it seemed like I had no idea what I was doing. I think there’s always part of you that wonders whether you can really do it, because a novel is a big undertaking. I think it’s very natural to stall out a couple of times, just feeling unsure that you have a middle of the book. I think a lot of people have a beginning and an end, and figuring out what the middle is catches them off-guard. That’s a time to just keep going, because you may change a lot of it later anyway. Try to understand the characters. Try to make sure you know what the emotional arc is, and you’ll find the rest. What’s making you happy right now? Having Evvie Drake Starts Over come out, for sure. But I would also say Taffy Brodesser-Akner’s wonderful book Fleishman is in Trouble, which deserves every bit of the praise it’s getting. I read it several months ago and instantly knew how special it was, and I’m very proud of myself for having so many people agree with me.
Camille Perri, author of the delightful new romantic comedy novel When Katie met Cassidy answered a few questions about New York, new love, and more. So much loving detail is given to clothing in this novel – can you tell me a little about how you present your main characters? I like clothes. I like fashion; particularly men’s fashion. Both my father and my grandmother on my mother’s side were tailors, so I think it’s in my blood. In terms of fiction writing, clothing serves as an efficient and fun method of characterization. You can not know a single thing about someone—a stranger who steps into a restaurant, let’s say—but their clothing tells you so much about them before they even open up their mouths to speak. Clothing reveals what a character is trying to project, as well as what they’re giving away about themselves without even realizing it: their socioeconomic class; their confidence level; their vulnerabilities. For Cassidy, the clothing she chooses to wear is of utmost importance because it functions as a reflection of her gender identity. Everything she puts on has been curated. Her clothes are her armor. Katie, on the other hand, is always deliberating about what to wear. Depending on where she’s going and which version of herself she wants to accentuate, her clothing varies greatly. I think of Katie’s many costume changes as a reflection of the way she’s still trying on different versions of herself in this novel. She’s still searching for what feels right, which version of herself is the most authentic. This book is such a joyful, fun depiction of two women falling in love – that’s still pretty rare. Are there any books or movies with romantic relationships that meant a lot to you? My favorite lesbian romance of all time is the 1999 movie But I’m a Cheerleader, starring Natasha Lyonne and Clea DuVall. RuPaul is also in it, so is the brilliant Melanie Lynskey. It’s a satirical comedy about a cheerleader who is sent to conversion therapy camp to cure her lesbianism. It’s one of the smartest, funniest movies I’ve ever seen. The magic of this film is that it’s so much fun to watch as it tackles the complexity of hetero-normativity and the social construction of gender. Do you have a favorite romantic comedy? Everything Nora Ephron. My novel isn’t called When Katie Met Cassidy for nothing! But shh…my favorite Nora Ephron rom-com isn’t When Harry Met Sally—it’s You’ve Got Mail. What I love about all of Ephron’s romantic comedies though is the way they’re more than just love stories. They also function as reflections of something specific going on in American culture at the time they were made. YGM, for example, is more than a simple feel-good story about two people in an online romance who are unaware that they’re business rivals. It’s also about how romance was changing with advances in technology, and how chains of mega bookstores were putting beloved independent shops out of business at alarming rates. I guess I like a little bit of social commentary with my romantic comedies. And nobody did that better than Nora Ephron. Katie grew up pretty sheltered and has always thought of herself as straight. Why did you want someone new to dating women as one of your protagonists? I liked the idea of someone who has never before been romantically attracted to a woman, and who’s never considered herself anything but straight and “normal,” to suddenly have to rethink her assumptions. Most of us who identify as LGBTQ at one time thought of ourselves as straight, too. That process of opening oneself up to a different path is very interesting to me and ripe for good storytelling. Part of the issue for Katie, too, goes beyond her surprise at her attraction to Cassidy; it’s also that Katie is someone who very much needs to be liked. She yearns to be approved of. It’s difficult for her to risk upsetting her parents, or to accept that if she’s out with Cassidy, some people will look at her differently, in a way that may not be as approving as she’s accustomed to. That’s what I wanted to write about because part of coming to terms with being read as gay is adjusting to the fact that there will be some people out there who aren’t going to like you, no matter how hard you try, solely because of this one aspect of your personhood. You previously worked as a books editor for Cosmopolitan and Esquire – what would surprise the average reader to know about that kind of job? I think the average reader would be surprised by how many Readers with a capital “R” and book lovers work at those magazines. The people behind even the glossiest of magazines are, for the most part, smart and socially aware and many of them are doing their best to provide a service—a social good—even as they’re under a tremendous amount of pressure to put out a product that remains popular and profitable. What novels have you especially loved lately? I’ve enjoyed the recent hardcover releases The Wife by Alafair Burke; Sunburn by Laura Lippman; The Favorite Sister by Jessica Knoll, and in paperback, Julie Buntin’s Marlena. You obviously have a lot of love for New York – are there any bars or restaurants that feel like home? I’m big on coffee shops. Fortunately I live in Brooklyn where there are many to choose from. When I lived in Williamsburg, I basically lived in a coffee/pie shop called The Blue Stove. That’s were I wrote most of my first novel, The Assistants. I’ve since moved to the Brooklyn Heights/Downtown Brooklyn area and have set up shop at a wonderful café called Swallow in Cobble Hill. It only took a few months for most of the staff to know me by name. I leave them no choice! Check out When Katie Met Cassidy here:
Clare Mackintosh, author of LET ME LIE, joins Amy to talk about detective-work, post-it notes, and mental health.
The hilarious Rebecca Harrington joins Amy to talk about her new novel SOCIABLE. They talk pretentious startup culture, that weirdly specific social media tone, and feeling not-quite-cool-enough.
Debut novelist Rhiannon Navin joins Amy to talk about her book, ONLY CHILD. Told from the point of view of a six-year-old survivor of a school shooting, the novel grapples with love, grief, and family.
Sam Graham-Felsen, former chief blogger for Obama, joins Amy to talk about his first novel, GREEN. Set in 1992 Boston, the book follows middle-schooler David as he grapples with racism and white privilege.
Brit Bennett, author of THE MOTHERS, joins Amy to talk about nuance in fiction, adapting for the screen, and the value of gossip.
George Saunders, famed short story writer, has won the Man Booker Prize for his first full-length novel, Lincoln in the Bardo. From The Man Booker Prize website: The 58-year-old New York resident, born in Texas, is the second American author to win the prize in its 49-year history. He was in contention for the prize with two British, one British-Pakistani and two American writers. Lola, Baroness Young, 2017 Chair of judges, comments: ‘The form and style of this utterly original novel, reveals a witty, intelligent, and deeply moving narrative. This tale of the haunting and haunted souls in the afterlife of Abraham Lincoln’s young son paradoxically creates a vivid and lively evocation of the characters that populate this other world. Lincoln in the Bardo is both rooted in, and plays with history, and explores the meaning and experience of empathy.’ Lincoln in the Bardo focuses on a single night in the life of Abraham Lincoln: an actual moment in 1862 when the body of his 11-year-old son was laid to rest in a Washington cemetery. Strangely and brilliantly, Saunders activates this graveyard with the spirits of its dead. The Independent described the novel as ‘completely beguiling’, praising Saunders for concocting a ‘narrative like no other: a magical, mystery tour of the bardo – the “intermediate” or transitional state between one’s death and one’s next birth, according to Tibetan Buddhism.’ Meanwhile, the Guardian wrote that, ‘the short story master’s first novel is a tale of great formal daring…[it] stands head and shoulders above most contemporary fiction, showing a writer who is expanding his universe outwards, and who clearly has many more pleasures to offer his readers.’ -Read the rest here. Browse below for Saunders’ rightfully beloved works: