Writing Tips from Jax Miller, author of Freedom’s Child

We know readers tend to be writers too, so we feature writing tips from our authors. Who better to offer advice, insight, and inspiration than the authors you admire? They’ll answer several questions about their work, share their go-to techniques and more. Now, get writing!  What writing techniques have you found most important or memorable? Reading out loud. As soon as I finish a chapter, I read it to my victim … ahem … husband. As a writer, I find when I read/write a chapter a few times over, my brain begins to to skim it. And reading out loud helps me to catch any mistakes I might have made. See? I used the word “to” twice in this question. It also helps with the rhythm. Writing should have rhythm. After developing an idea, what is the first action you take when beginning to write? The very first thing I do is write the ending. If I start right at the beginning, I tend to veer off course and before I know it, I’m writing a completely different story (I have too many ideas and a short attention span). Writing the last scene first helps me have something to aim for, so I can get from point A to point B without hitting too many traffic cones. Is there something you do to get into a writing mood? Somewhere you go or something you do to get thinking? I have “a zone.” When the headphones are on, I’m in the zone and should not be bothered, lest I throw the closest object on my desk across the room. I spend about half an hour to an hour (depending on the intensity of the narrative) with music blasting in my head, one that usually matches the scene. I always have to see it like a movie in my head before it reaches paper, so a soundtrack is pivotal. Then I do my damned best to think like that person, completely immerse myself (which can be hard, especially when writing a dark narrative). Then I need a proper half hour with music to ease myself out, I can’t be ripped away; it messes me up. That’s a lot of my creative process … some just call it madness. Oh, and caffeine. Lots and lots of caffeine. Did you always want to write? How did you start your career as an author? No, I didn’t. Writing came to me when I was at a period in my life of trying to save myself and clean up my life. It started for me while I was seeing a counselor. I’d go in, guns blazing, F this and F that and F this again. The therapist was a very conservative man who’d cringe every time I cursed or told a colorful story from my past. So he told me to write (I believe he said it hoping he wouldn’t have to hear me anymore). It was supposed to be a journal kind of thing, but I hated journaling. Writing about things I wanted to forget never helped me—it just ticked me off. So I wrote something fake (it’s still an existing chapter in my unpublished/first novel, The Assassin’s Keeper). He read it in silence and I waited, wondering if there were men outside with butterfly nets. When finished, he looked me right in my eyes and said, “That was the best ****ing thing I ever read.” After that, I wrote more and more, writing a good chunk of my first novel in his office. I haven’t stopped since. What clichés or bad habits would you tell aspiring writers to avoid? Do you still experience them yourself? Ellipses … I put them everywhere. The truth is, I don’t even know how to properly use them. I just put them in when the page looks a little sad … What’s the best piece of advice you have received? I’m a girl who goes to the beat of her own drum. A lot of the advice from the greats just don’t work for me: I can’t write every day, I DO wait until I’m in the mood, I don’t read while writing … To quote Lillian Hellman: “If I had to give young writers advice, I would say don’t listen to writers talking about writing or themselves.” Read more about Freedom’s Child here.

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