Essays
Be Professional! (It’s a Job.)
Lexie Elliot, author of The Missing Years shares her three tips on writing a story
Lexie Elliott is the author of The Missing Years and The French Girl.
Here’s the thing about writing, or more specifically, about being paid to write: it’s a job.
Of course, you could describe it in more romantic terms: it could be calling, or a vocation. Or perhaps your mind has a more prosaic bent; perhaps for you it’s an itch that needs to be scratched. There are reams and reams of twitter conversations on the topic of why writers choose to write; if you go looking for those I’m certain you’ll find one that matches how you feel. But if you’re actually getting paid to put your stories down on paper, then whatever else you might call it, one thing is certain: it’s a job. I admit that I may have a more businesslike approach to writing than most given that I also work part-time in fund management, but I truly don’t see why the principles that are relevant within a mainstream workplace wouldn’t apply also to writing. So on the principal that you have to fake it before you make it, here are my top three pieces of somewhat businesslike advice for the writer who wants their writing to be more than just a hobby.
Writing is one of the hardest jobs I’ve ever had, but it’s also the most rewarding.
You have to go to work.
This is the most important one. Even if you aren’t (yet) being paid, you must believe that you deserve to be paid and act accordingly. If you have only certain hours in the week when you can write, ringfence those hours. Sit down and write in those hours, regardless of whether you feel like it or not — if I always waited until I felt like writing, I would still be writing The French Girl — and make sure the environment you do that in lacks other distractions. (For my part, I’m extraordinarily unproductive at home because sometimes even doing the laundry can seem more appealing than opening the laptop, so I usually write in cafés.) Don’t allow anything else to steal your writing time — after all, you wouldn’t accept an invitation to coffee at a time when you had to be in the office, or your boss might very well fire you. You are your boss now. You have to be tough, and you have to make yourself go to work.
Create a polished product
For the content of your work to earn proper consideration, it has to look the part. Your manuscript might be the Koh-i-Noor diamond in the rough, but agents and publishers get thousands of submissions — why would they spend time on one that isn’t correctly formatted or lacks proper punctuation and grammar? All those things scream amateur, and nobody wants to waste their time with that. Find out what the submission guidelines are for the individual or organization to which you are submitting (which will almost certainly be on their website) and make absolutely sure you meet those requirements. Oh, and proofread your work. Very carefully.
Know your market
You may have the most wonderful crossover chick-lit/gothic/cyberpunk novel ever written, and there might be a publisher out there willing to take a chance on it … but I wouldn’t stake my career on it, and you shouldn’t either. If a publisher isn’t sure how to market your book, or whether there’s even an audience for it at all, they won’t take a leap of faith on it. Have a clear idea of the genre you are writing within and what the readers of that genre expect. As my wonderful agent once told me: save the interesting genre-bending for book five, when you have a devoted readership who will follow you anywhere. (Clearly there are books, and writers, which have defied this last piece of advice and done astronomically well, but those are the exception rather than the rule.)
And that’s it, except to add that writing is one of the hardest jobs I’ve ever had, but it’s also the most rewarding. I wish you the very best of luck. Now go to work!
Check out Lexie Elliott‘s books here:
