“Pavese’s real ambition in this work did not reside simply in the creation of a successful novel: everything in the book converges in one single direction, images, and analogies bear down on one obsessive concern: human sacrifices.” —Italo Calvino, Why Read the Classics?
"Pavese’s nine short novels make up the most dense, dramatic, and homogeneous narrative cycle of modern Italy, and also…the richest in representing social ambiances, the human comedy, the chronicle of a society. But above all they are works of an extraordinary depth where one never stops finding new levels, new meanings." —Italo Calvino
"Cesare Pavese’s cool, contemplative voice was the most important among postwar Italian writers. He created a fresh narrative vernacular not only responsive to modern urban life but also to the traces in our time of the archaic past." —W. S. DiPiero
"Pavese made an attempt heroic and successful, to encompass national and social concerns. His novels about Italy in the later stages of the Second World War formed a ‘historical cycle of my own times’…..Among the [Italian neo-realist] novelists, Cesare Pavese had…the greatest mastery." —The New York Review of Books
"Now there can be no excuse for not reading Pavese, one of the few essential novelists of the mid-twentieth century. The new translations and the introduction by R.W. Flint are admirable." —Susan Sontag
"A control of prose rhythms that makes [Pavese’s] language at once absolutely lucid and completely incantatory." —Leslie Fielder
"[Flint’s] translation is readable, stylish, and sometimes quite lyrical."—The New Yorker
"There is something about [Pavese]—and the translation does not lose it—that is insinuating, haunting and lyrically pervasive." –The New York Times Book Review
“…one of the word’s great creative depressives. The Moon and the Bonfires [is] his masterpiece on the aftermath of the partisan war in the hills around Turin.”- The Daily Telegraph
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